Revised as of
19 Fev 2023
Rhetoric is the art of discourse in which the writer (or speaker) uses different methods to convince, influence, or please an audience.
Rhetorical Devices, Along with Figures of Speech and Word Play, are All Literary Devices
A rhetorical device is used in the art of discourse in which the writer (or speaker) uses different methods to convince, influence, or please an audience. This helps explain why rhetorical devices and figures of speech occasionally swap categories.
A literary device is a linguistic or literary technique that creates specific effects, plots, styles, and more in the overall category for figure of speech, rhetorical device, and word play.
A figure of speech alters the meanings of words, going beyond a word’s or phrase’s literal interpretation, like simile, metaphor, hyperbole, and more. It becomes a device in rhetoric when it is aimed at persuading the readers or listeners.
Word play is a verbal game of wit and fun that brightens and enhances the reader’s understanding.
Grammar Explanations is . . .
. . . an evolving list of the structural rules and principles that determines where words are placed in phrases or sentences as well as how the language is spoken. Sometimes I run across an example that helps explain better or another “also known as”. Heck, there’s always a better way to explain it, so if it makes quicker and/or better sense, I would appreciate suggestions and comments from anyone on an area of grammar with which you struggle or on which you can contribute more understanding.
If you found this post on “Rhetorical Device” interesting, consider subscribing to KD Did It, if you’d like to track this post for future updates.
Rhetorical Device | ||||||||||||||||||||||||||||||||
Part of Speech: Literary Device | ||||||||||||||||||||||||||||||||
Definition: Used to achieve particular emphasis and effect in speech or in writing aimed at persuading the readers or listeners to the speaker’s point-of-view.
Commonly found in religious sermons, political speeches, and advertising. |
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Difference between Rhetorical Device and Figures of Speech | ||||||||||||||||||||||||||||||||
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While rhetorical device seems very similar to figure of speech, the primary difference is that a rhetorical device does not change the meaning of the sentence while the figure of speech does change its meaning.
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Examples of Rhetorical Device: | ||||||||||||||||||||||||||||||||
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Accumulation | Definition: A list of words which embody similar abstract or physical qualities or meanings with the intention to emphasize the common qualities that words hold. It is also an act of accumulating the scattered points.
Derived from a Latin word which means “pile up”, accumulation is used in literature, poetry, and all types of rhetorical writing. A.k.a. repetition, scesis onomaton, schesis onomaton |
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The basic function is to make language livelier and contribute to the meanings of the words. Also, it describes the qualities of an object through different explanations, if otherwise it would be left vague or ambiguous.
Examples of accumulation are found in literary pieces and in daily conversations. Credit to: Accumulation |
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“(This parrot) . . . is passed on! It is no more! It has ceased to be! It’s expired and gone to meet its maker! This is a late parrot!! It’s a stiff! Bereft of life, it rests in peace! If you hadn’t nailed it to the perch it would be pushing up the daisies! It’s run down the curtain and joined the choir invisible!! This is an EX-PARROT”
Spoken by John Cleese in “The Dead Parrot Sketch” from Monty Python. “Then shall our names, Familiar in his mouth as household words, Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester, Be in their flowing cups freshly remembered” – William Shakespeare, Henry V In the excerpt, Shakespeare has gathered similar words for King Harry. Henry memorizes the name and nobility of the king by mentioning: “Bedford, Exeter, Warwick, Talbot, Salisbury, and Gloucester.” “What syllabus of intellectual pursuits was simultaneously possible? Snapshot photography, comparative study of religions, folklore relative to various amatory and superstitious practices, contemplation of celestial constellations . . .” – James Joyce, Ulysses James Joyce is famous for using this literary device. Here, Joyce has accumulated similar and related words in the form of a list. There are options given between different intellectual careers. These include “snapshot photography, comparative study of religions, superstitious practices”. “I don’t know how to manage my time; he does. I don’t know how to dance and he does. I don’t know how to type and he does. I don’t know how to drive . . .” – Natalia Ginzburg, The Little Virtues Ginzburg has used negation in the given sentences. All four lines are written in accumulated form, and the scattered points are listed together, hence contributing to the vocabulary of the readers. |
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Acroasis | Definition: A spoken conversation or speech, listened to rather than read. It’s also referred to as a monologue. | |||||||||||||||||||||||||||||||
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Needs examples | |||||||||||||||||||||||||||||||
Aeolism | Definition: A tendency to longwindedness. | |||||||||||||||||||||||||||||||
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“Though in many natural objects, whiteness refiningly enhances beauty, as if imparting some special virtue of its own, as in marbles, japonicas, and pearls; and though various nations have in some way recognised a certain royal preeminence in this hue; even the barbaric, grand old kings of Pegu placing the title ‘Lord of the White Elephants’ above all their other magniloquent ascriptions of dominion; and the modern kings of Siam unfurling the same snow-white quadruped in the royal standard; and the Hanoverian flag bearing the one figure of a snow-white charger; and the great Austrian Empire, Caesarian, heir to overlording Rome, having for the imperial colour the same imperial hue; and though this pre-eminence in it applies to the human race itself, giving the white man ideal mastership over every dusky tribe; and though, besides, all this, whiteness has been even made significant of gladness, for among the Romans a white stone marked a joyful day; and though in other mortal sympathies and symbolizings this same hue is made the emblem of many touching, noble things—the innocence of brides, the benignity of age; though among the Red Men of America the giving of the white belt of wampum was the deepest pledge of honour; though in many climes, whiteness typifies the majesty of Justice in the ermine of the Judge, and contributes to the daily state of kings and queens drawn by milk-white steeds; though even in the higher mysteries of the most august religions it has been made the symbol of the divine spotlessness and power; by the Persian fire worshippers, the white forked flame being held the holiest on the altar; and in the Greek mythologies, Great Jove himself being made incarnate in a snow-white bull; and though to the noble Iroquois, the midwinter sacrifice of the sacred White Dog was by far the holiest festival of their theology, that spotless, faithful creature being held the purest envoy they could send to the Great Spirit with the annual tidings of their own fidelity; and though directly from the Latin word for white, all Christian priests derive the name of one part of their sacred vesture, the alb or tunic, worn beneath the cassock; and though among the holy pomps of the Romish faith, white is specially employed in the celebration of the Passion of our Lord; though in the Vision of St. John, white robes are given to the redeemed, and the four-and-twenty elders stand clothed in white before the great-white throne, and the Holy One that sitteth there white like wool; yet for all these accumulated associations, with whatever is sweet, and honourable, and sublime, there yet lurks an elusive something in the innermost idea of this hue, which strikes more of panic to the soul than that redness which affrights in blood.” – Herman Melville, Moby Dick
Credit to: Seeking |
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Algoism | Definition: An illogical or irrational statement or notion. | |||||||||||||||||||||||||||||||
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His right eye was black; the left, for some strange reason, green.
Black eyebrows, but one higher that the other. |
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Anacoluthon | Definition: Either a grammatical fault or a stylistic virtue, depending on its use, it begins a sentence in a way that implies a certain logical resolution, but concludes it differently than the grammar leads one to expect. Think of it as a grammatical interruption, a verbal lack of symmetry within a sentence, or a stream-of-consciousness style. | |||||||||||||||||||||||||||||||
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It is characteristic of spoken language or interior thought, and thus suggests that when it occurs in writing.
Credit to: Burton, “Anacoenosis” |
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Athletes convicted of drug-related crimes — are they to be forgiven with just a slap on the wrist?
Oh my god! I’ve left the gas on! |
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Anadiplosis | Definition: The repetition of a word or words in successive clauses in such a way that the second clause starts with the same word which marks the end of the previous clause.
A.k.a. epanastrophe |
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When I give, I give myself.
The land of my fathers and my fathers can have it. “. . . you must make every effort to support your faith with goodness, and goodness with knowledge, and knowledge with self-control, and self-control with endurance, and endurance with godliness, and godliness with mutual affection, and mutual affection with love” – Bible, II Peter 1:5–7 “Fear leads to anger. Anger leads to hate. Hate leads to suffering.” – George Lucas “She being none of your flesh and blood, your flesh and blood has not offended the king.” – Shakespeare, The Winter’s Tale, act 4, scene 3. Credit to: Anadiplosis |
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Anapodoton | Definition: Occurs when the subordinate clause is incomplete because the main clause: | |||||||||||||||||||||||||||||||
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Credit to: Burton, “Anapodoton” |
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Anacoenosis | Definition: Asking the opinion or judgment of the judges or audience, usually implying their common interest with the speaker in the matter. | |||||||||||||||||||||||||||||||
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“And now, O inhabitants of Jerusalem, and men of Judah, judge, I pray you, betwixt me and my vineyard. What could I have done more to my vineyard, that I have not done in it?” – Isaiah 5:3-4
Now I ask you to decide: Given the persecution my client has undergone, does he not deserve to have some justifiable anger? Credit to: Burton, “Anacoenosis” |
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Anaphora | Writers must constantly explore. Writers must want to know all. Writers must read more in the post, “Figure of Speech: Anaphora“. | |||||||||||||||||||||||||||||||
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If you think I’m going to sit here and take your insults . . .
When you decide to promote me to manager — when you see more clearly what will benefit this corporation — I will be at your service. |
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Anastrophe | Definition: A scheme in which normal word order is changed for emphasis. | |||||||||||||||||||||||||||||||
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Anastrophe is also regarded as a simile of hyperbaton.
A.k.a. inversion |
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“Ask not what your country can do for you; ask what you can do for your country.”
“Of Man’s First Disobedience, and the Fruit Of that Forbidden Tree, whose mortal taste Brought Death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful Seat, Sing Heav’nly Muse . . .” – Milton, Paradise Lost |
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Annomination | Definition: The same word is repeated but with a different sense each time. | |||||||||||||||||||||||||||||||
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Now be still, but still believe me. – Sidney, “Astrophel and Stella”
A plaining song, plaine-singing voice requires. – Sidney And leaves begin to leave the shady tree. – “Mirror for Magistrates” “Nor ordinance so needfull, but that he would violate, though not with violence.” – “Mother Hubberd’s Tale” Credit to: Marsh, 407 |
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Anthimeria | Definition: Substitutes of one part of speech for another, such as a noun used as a verb.
A.k.a. antimeria |
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I’ve been Republicaned all I care to be this election year.
Did you see the way those blockers defenced on that last play? Feel bad? Strike up some music and have a good sing. I friended way too many people last night! I texted you three times last night. She emailed him a long, sobbing letter. He ghosted through the night. Credit to: Burton, “Anthimeria” |
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Anthorism | Definition: A description or definition contrary to that which is given by one’s opponent. | |||||||||||||||||||||||||||||||
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Trump insists he is without racial bias, and yet he hires people who have demonstrated their racial biases in the past.
Yes, she does love her flowers. To eat. Iago: “You would be satisfied?” |
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Anthypophora | Definition: A reasoning in which one asks and then immediately answers one’s own questions, raises and then settles imaginary objections, or states an opponent’s probable but as yet unstated objection. | |||||||||||||||||||||||||||||||
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Reasoning aloud.
Anthypophora sometimes takes the form of asking the audience or one’s adversary what can be said on a matter, and thus can involve both anacoenosis and “Figure of Speech: Apostrophe“. A.k.a. antipophora, contradictio, figure of responce, hypophora, rogatio, subiectio, subjectio |
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“But there are only three hundred of us,” you object. Three hundred, yes, but men, but armed, but Spartans, but at Thermoplyae: I have never seen three hundred so numerous.” – Seneca
Credit to: Burton, “Anthypophora” |
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Anticlimax | Bet you’re disappointed that you’ll have to click over to another page to learn more in the post, “Figure of Speech: Anticlimax“. | |||||||||||||||||||||||||||||||
Antisagoge | Definition: Making a concession before making one’s point or using a hypothetical situation or a general rule to illustrate antithetical alternative consequences, typically promises of reward and punishment. | |||||||||||||||||||||||||||||||
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Yes, it is most difficult to learn languages, but most necessary.
“See, I have set before thee this day life and good, and death and evil; In that I command thee this day to love the LORD thy God, to walk in his ways, and to keep his commandments and his statutes and his judgments, that thou mayest live and multiply: and the LORD thy God shall bless thee in the land whither thou goest to possess it. But if thine heart turn away, so that thou wilt not hear, but shalt be drawn away, and worship other gods, and serve them; I denounce unto you this day, that ye shall surely perish, and that ye shall not prolong your days upon the land, whither thou passest over Jordan to go to possess it. I call heaven and earth to record this day against you, that I have set before you life and death, blessing and cursing: therefore choose life, that both thou and thy seed may live:” – Deuteronomy 30:15-19 Credit to: Burton, “Antisagoge” |
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Antistrophe | Definition: A rhetorical device that involves the repetition of the same words at the end of consecutive phrases, clauses, sentences, and paragraphs. | |||||||||||||||||||||||||||||||
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Antistrophe is similar to epistrophe, which also involves the repetition of words at the end of successive clauses or sentences. However, it is opposite to “Figure of Speech: Anaphora“, which is the repetition of words at the beginning of sentences or clauses. | |||||||||||||||||||||||||||||||
“A day may come when the courage of men fails, when we forsake our friends and break the bonds of fellowship, but it is not this day. An hour of wolves and shattered shields, when the age of men comes crashing down, but it is not this day. This day we fight . . .” – J.R.R. Tolkien, The Return of the King “When I was a child, I spake as a child, I understood as a child, I thought as a child; but when I became a man, I put away childish things . . .” – Bible, 1 Corinthians 13:11 Credit to: Antistrophe |
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Antistrophon | Definition: A rhetorical device which turns an argument against the one who advanced it. A type of verbal riposte in which you use your opponent’s words, but rearrange them to be in your favor.
Credit to: StackExchange |
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Aristippus: “If you would learn to be subservient to the king, you wouldn’t have to live off of lentils.”
Diogenes: “If you would learn to live off of lentils, you wouldn’t have to be subservient to the king.” |
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Antithesis | Definition: Contrary ideas expressed in a balanced sentence, using a contrast of opposites or a contrast of degree. | |||||||||||||||||||||||||||||||
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By keeping the structure balanced, it draws in the readers’ attention, and makes antithesis a parallelism of scheme.
May Use Other Literary Devices including:
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Antimetabole | Definition: A verbal pattern which reverses the EXACT SAME words in the sentence: a-b-c, c-b-a. | |||||||||||||||||||||||||||||||
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It is similar to and sometimes overlaps with chiasmus.
A.k.a. epanados |
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“Stops static before static stops you.” (Advertising slogan of Bounce fabric softener sheet, 1990s)
“Fair is foul, and foul is fair.” – Shakespeare, Macbeth act 1, scene 1 “Many who are first shall be last, and the last shall be first.” Matthew 20:16 “I am stuck on Band-Aid, and Band-Aid’s stuck on me.” (advertising jingle for Band-Aid bandages) “One should eat to live, not live to eat.” “You like it; it likes you.” “Nice to see you . . . to see you nice.” – Bruce Forsyth’s catchphrase (British TV entertainer) “I had a teacher I liked who used to say good fiction’s job was to comfort the disturbed and disturb the comfortable.” – David Foster Wallace “I flee who chases me, and chase who flees me.” – Ovid “For ’tis a question left us yet to prove, whether love lead to fortune, or else fortune love.” Shakespeare’s Hamlet “Suit the action to the word, the word to the action.” Shakespeare, Hamlet |
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Chiasmus | Definition: A verbal pattern in which the grammatical structure of a sentence or phrase is reversed in the following sentence or phrase, but not necessarily using the same words.
It is similar to and sometimes overlaps with antimetabole. |
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I can write better than anybody who can write faster, and I can write faster than anybody who can write better.” – A.J. Liebling
“Women forget all those things they don’t want to remember, and remember everything they don’t want to forget.” – Zora Neale Hurston, Their Eyes Were Watching God, 1937 “You forget what you want to remember, and you remember what you want to forget.” – Cormac McCarthy, The Road, 2006 “Let us never negotiate out of fear, but let us never fear to negotiate.” – John F. Kennedy, Inaugural Address “Ask not what your country can do for you, ask what you can do for your country.” – John F. Kennedy “By day the frolic, and the dance by night.” |
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Aparithmesis | Definition: A rhetorical device that enumerates parts or particulars of a whole or answers a proposition:
A.k.a. climax, congeries, enumeratio, enumeration, graduation, synanthroesmos, syrmos |
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. . . 5,899,000 rifles . . . 102,000 machine guns . . . 28,000 trench mortars.
“. . . the figure of death, the regal crown upon his head, his menace of Satan, his advancing to the combat, the outcry at his birth, are circumstances too noble to be be passed over in silence, and extremely suitable to this king of terrours” (Walker, 195). “To what purpose is the multitudes of your sacrifices unto me? saith the LORD: I am full of burnt offerings of rams, and the fat of fed beasts; and I delight not in the blood of bullocks, or of lambs, or of he-goats . . . Bring no more vain oblations; incense is an abomination unto me” (Isa. 1:11, 13.). |
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Apophasis | Definition: A rhetorical device that talks about something without directly mentioning it.
A.k.a. antiphrasis, occupatio, paraleipsis, paralepsis, paralipsis, parasiopesis, praeteritio, preterition |
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I’m just going . . . er . . . to the . . . um . . . little room . . . back soon.
You know who is doing you know what with you know who else! He’s not going out with Jane, and not with Susan. But I’m not allowed to say who he is going out with. Credit to: Apophasis |
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Aposiopesis | Definition: The speaker or writer breaks off as if unable to continue due to being overcome by passion, excitement, or fear. It leads the reader into determining his own meanings. | |||||||||||||||||||||||||||||||
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It’s useful in creating dramatic or comic effects when you want to express ideas which are too overwhelming to finish and make dialogues seem sincere and realistic.
The most effective use is when the readers successfully figure out the missing thoughts that the writer has left unfinished (Aposiopesis). Other Types of Aposiopesis:
A.k.a. figure of silence, interruptio, obticentia, praecisio, reticentia, sudden silence Credit to: Wheeler, Aposiopesis |
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“The fire surrounds them while — I cannot go on.”
“I will have such revenges on you both that all the world shall — I will do such things — what they are yet, I know not, but they shall be the terrors of the earth!” – Shakespeare, King Lear, act 2 “Much more might be said, but I dare not utter all my minde.” – JG Smith |
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Audience-Respecting Aposiopesis | Definition: Based on the removal of thoughts which are unpleasant to the readers or offensive to the audience. | |||||||||||||||||||||||||||||||
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“I will have revenges on you both That all the world shall — I will do such things — What they are yet, I know not; but they shall be The terrors of the earth! – Shakespeare, King Lear King Lear is furious with his daughters and breaks down as he cannot declare a punishment hard enough. After the suspect . . . Well, you’ve read the court documents. After the heinous crime was completed, the suspect fled the scene. Credit to: Aposiopesis, “Literary Device”; Aposiopesis, “Literary Terms” |
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Calculated Aposiopesis | Definition: Based on the conflict of missing thought and its opposing force that rejects the substance of that thought. Hence, the idea is removed that is explicitly expressed afterwards. | |||||||||||||||||||||||||||||||
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Hotspur: O, I could prophesy, But that the earthy and cold hand of death Lies on my tongue. No, Percy, thou art dust, And food for — Prince Hal: For worms, brave Percy: fare thee well, great heart! – Shakespeare, Henry IV Credit to: Aposiopesis, “Literary Device” |
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Emotive Aposiopesis | Definition: Used in conditions of conflicts between emotional outbursts of a speaker and environment that does not react. Usually, the writer or speaker pauses in the middle of a sentence. | |||||||||||||||||||||||||||||||
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“O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me, My heart is in the coffin there with Caesar, And I must pause till it come back to me . . .” – Shakespeare, Julius Caesar I’m so angry, I could — I could —! Credit to: Aposiopesis, “Literary Device”, Aposiopesis, “Literary Terms” |
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Emphatic Aposiopesis | Definition: Does not give information that the audience wants or expects to receive. This gains the audience’s interest in the information that will later be revealed.
A.k.a. surprising aposiopesis |
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On tonight’s newscast, we will begin to discover what happens when two animals become unlikely friends . . . More on this story on The Evening News at 8.
Credit to: Aposiopesis, “Literary Terms” |
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Transitio Aposiopesis | Definition: Removes the ideas from the end part of a speech in order to immediately get the audience interested in the subsequent section. | |||||||||||||||||||||||||||||||
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“She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear: ‘Well, I lay if I get hold of you I’ll —’ She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat . . .” – Mark Twain, The Adventures of Tom Sawyer And, in conclusion . . . Well, enough of that. Let’s move on to the next point. Credit to: Aposiopesis, “Literary Device”, Aposiopesis, “Literary Terms” |
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Apostrophism | Definition: A manner of speech in which a character in the story speaks to an object, an idea, or someone who’s dead or nonexistent, as if it has feelings. The purpose is to highlight the importance of the object, idea, or non-existent person in the story and to inject a dramatic effect.
Typically, the character detaches himself/herself from the reality to speak. |
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Hamlet addressing Yorick’s skull.
The narrator interrupting the action to provide information or commentary in Homer’s Odyssey. “O, Romeo, Romeo, wherefore art thou Romeo?” Although Romeo is a living person and is hiding in her yard and listening to her, Juliet thinks she is addressing someone who’s not present. Credit to: Apostrophe |
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Appeals | Definition: A persuasive strategy used to enhance the plausibility of one’s argument, support claims, and respond to opposing arguments. A good argument will generally use a combination of all . . . appeals to make its case (Purdue OWL).
There are four types of persuasion: |
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Ethos | Definition: A mode of persuasion intended to convince others through the credibility of a persuader to inspire trust. | |||||||||||||||||||||||||||||||
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It’s one of Aristotle’s artistic proofs. | |||||||||||||||||||||||||||||||
As a doctor, I am qualified to tell you that this course of treatment will likely generate the best results.
If his years as a Marine taught him anything, it’s that caution is the best policy in this sort of situation. Our expertise in roofing contracting is evidenced not only by our 100 years in the business and our staff of qualified technicians, but in the decades of satisfied customers who have come to expect nothing but the best. He is a forensics and ballistics expert for the federal government — if anyone’s qualified to determine the murder weapon, it’s him. Based on the dozens of archaeological expeditions I’ve made all over the world, I am confident that those potsherds are Mesopotamian in origin. If my age doesn’t convince you that my opinion matters, at least consider that I am your grandfather and I love you dearly. Credit to: Park |
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Kairos | Definition: Picking exactly the right time to say or do a particular thing. Think of “the right place and the right time” phrase. | |||||||||||||||||||||||||||||||
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Another way to think of it is: what is appropriate for the time [period]. Kairos provides two great examples:
Literary Terms did make another good example of times when an “impertinent” speech made at an “inappropriate” time can make a greater impact, i.e., Martin Luther King’s Letter from the Birmingham Jail, in which King insists on making people understand how urgent it was to end racial discrimination, and his critics thought it wiser to work in the background and change things gradually. |
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With technology beginning to become more personal to the individual, via smartphones and wearable technology, the movie The Matrix delivered its message right at the moment of a genuine revolution in our relationship to technology.
After the Battle of Gettysburg with its horrific losses, Americans needed to believe they were fighting for a higher purpose. Hence Abraham Lincoln’s Gettysburg Address making the war a moral quest. The 2013 film Her deals with issues of isolation, artificial intelligence, and the artificiality of life in a digital world when so many of us are absorbed by our personal technology . . . and the correspondingly higher rates of depression and loneliness in our society. Published in 1949, George Orwell’s 1984 came out when the concept of totalitarianism was being explored. Using the story approach made it easier for people to understand the horrors of a totalitarian system at a time just after World War II and the start of the Cold War. Credit to: Kairos |
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Logos | Definition: A mode of logical persuasion intended to convince others by employing reason as part of an argument or reasoned discourse in an appeal to emotion. | |||||||||||||||||||||||||||||||
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It often depends on the use of:
It’s one of Aristotle’s artistic proofs. |
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“The data is perfectly clear: this investment has consistently turned a profit year-over-year, even in spite of market declines in other areas.”
“Ladies and gentlemen of the jury: we have not only the fingerprints, the lack of an alibi, a clear motive, and an expressed desire to commit the robbery . . . We also have video of the suspect breaking in. The case could not be more open and shut.” “More than one hundred peer-reviewed studies have been conducted over the past decade, and none of them suggests that this is an effective treatment for hair loss.” “History has shown time and again that absolute power corrupts absolutely.” “You don’t need to jump off a bridge to know that it’s a bad idea. Why then would you need to try drugs to know if they’re damaging? That’s plain nonsense.” Credit to: Park |
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Pathos | Definition: A mode of emotional persuasion intended to appeal to the the audience and inspire pity or sorrow towards a character — typically, it does not counterbalance the target character’s suffering with a positive outcome. | |||||||||||||||||||||||||||||||
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It’s one of Aristotle’s artistic proofs.
Rule: Emotional appeal can be accomplished in a multitude of ways:
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“Made in the U.S.” stickers on various products make a subtle appeal to patriotism.
Ads encouraging donations, show small children living in pathetic conditions to evoke pity in people to urge them to donate for the cause. Referring to Germany as the Fatherland rallied the Germans into supporting World War II. There are viable theories that violent games encourage violent tendencies in children. In Romeo and Juliet, the two main characters each commit suicide at the sight of the supposedly dead lover, however the audience knows these actions to be rash and unnecessary. Therefore, Shakespeare makes for the emotional appeal for the unnecessary tragedy behind the young characters’ rash interpretations about love and life. |
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Asiaticism | Definition: A manner of speech, writing, or architecture distinguished by excessive ornamentation or floridity using wordplay, emotion, and rhythm.
It is the opposite of the attic style. A.k.a. Asiatic style, Asianism |
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Cicero and Hortensius are said to have used an Asiatic style.
Once upon a time, as a walk through the woods was taking place on the part of Little Red Riding Hood, the Wolf’s jump out from behind a tree caused her fright. |
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Asterismos | Definition: The use of a seemingly unnecessary word or phrase to introduce what you’re about to say. | |||||||||||||||||||||||||||||||
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Listen!
Hear me! |
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Asyndeton | Definition: Deliberately leaving out the conjunctions between successive clauses, leaving you with a choppy and abrupt series of phrases that energetically push things forward. | |||||||||||||||||||||||||||||||
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“We got there, the weather was bad, we didn’t stay long, we got back in the car, we came home, end of story.” | |||||||||||||||||||||||||||||||
Polysyndeton | Definition: The opposite of asyndeton, adding more conjunctions to a phrase or clause than are strictly necessary, often with the effect of intentionally dragging it out | |||||||||||||||||||||||||||||||
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“We ate and drank and talked and laughed and talked and laughed and ate some more.” | |||||||||||||||||||||||||||||||
Atticism | Definition: A rhetorical expression characterized by conciseness and elegance.
It is the opposite of the Asiatic style. |
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As Little Red Riding Hood walked through the woods, she was frightened by a wolf jumping out from behind a tree. | |||||||||||||||||||||||||||||||
Bathos | For details, wander through the post, “Figure of Speech”, descending that grand staircase of the “pathetic” bathos. | |||||||||||||||||||||||||||||||
Battology | Definition: Futile repetition in speech or writing.
A.k.a. stammering speech |
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“. . . we have an attack, and then all of a sudden we bomb all these sites. Why didn’t we bomb the sites before? We should have bombed the sites a long time ago,” – Donald Trump |
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Bomphiologia | Definition: The speaker brags excessively.
A.k.a. bombastic, verborum bombus |
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I know everything.
I am never wrong. Can you believe how poorly she dresses? She is so lower class. I make so much more money than you do. In fact, I just bought my son a new Porsche when he got his driver’s license. |
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Catastasis | Definition: That part of a speech, usually the beginning, in which the orator seeks to dispose his hearers to a view of the case favorable to his own side, especially by removing from their minds what might prejudice them against it. | |||||||||||||||||||||||||||||||
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Macbeth: “I bear a charmed life, which must not yield, / To one of woman born.”
Macduff: “Despair thy charm; / And let the angel whom thou hast served / Tell thee, Macduff was from his mother’s womb / Untimely ripp’d (Mills, 267).” It’s Macduff’s confrontation with Macbeth in which he reveals the witches’ third prophecy about Macbeth not being killed by a man born of woman. |
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Circumlocution | Definition: Ambiguous or roundabout speech that uses many words rather than a few, as it circles around a specific idea:
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May Use Other Literary Devices including:
2 Types of Circumlocution: A.k.a. circumduction, circumvolution Credit to: Periphrasis |
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Ambage | Definition: An indirect, roundabout, circuitous expressive style that uses excessive or empty words. | |||||||||||||||||||||||||||||||
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I will now make a few observations concerning the matter of contingency funds.
“Therefore, since brevity is the soul of wit, “Due to the fact that access to internet resources are actually at the present time very easy to access in many places, the vast majority of users seek to have those kinds of devices that are most easy to carry around with them wherever they go” (Blank). |
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Periphrasis | Definition: A type of circumlocution using a round-about or indirect expression to convey a meaning which could have been conveyed with a shorter expression or in a few words. | |||||||||||||||||||||||||||||||
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Deipnosophism | Definition: The art of dinner conversation in the manner of Athenaeus’s characters. | |||||||||||||||||||||||||||||||
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The closest I can come to an example(s) is of a number of learned diners at dinner discoursing on literature and matters of the table.
The Deipnosophists; or, Banquet of the Learned of Athenæus by Athenaeus “Woman in Science” by John Augustine Zahm |
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Diallage | Definition: The consideration of arguments from different viewpoints and then turned to make a single point. | |||||||||||||||||||||||||||||||
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John says we need to go South. Jane wants to go West. What is important is that we can’t stay here.
If we put up our prices, then revenue may increase but sales will drop. If we put effort into marketing, then we may well more, but margins will be thinner. Maybe we can combine these, funding marketing through an increase in prices. Credit to: Diallage |
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Diallelus | Definition: A circular argument that can be endlessly questioned.
A.k.a. regress argument |
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In what space did God exist before he created the universe? | |||||||||||||||||||||||||||||||
Dialogism | Definition: In prose fiction, words have two meaning, etymological and social, however, it is also about two or more characters speaking in recognizably different voices, and engaging with each other in debating worldviews, rather than affirming a single worldview.
The idea was first brought out by Mikhail Bakhtin in the 1920s. Credit to: Mikhail |
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“Oh, yeah. She’s smart all right.”
Part of a dialogue between two students with the etymological definition of “smart” being quick-witted intelligence and the social meaning intended as sarcasm. |
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Dialogismus | Definition: A speaker either imagines what someone or something else might be thinking or else paraphrases someone’s earlier words. | |||||||||||||||||||||||||||||||
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“I bet that guy’s thinking, ‘what am I doing here?’”
“‘Don’t worry!’ she told me. ‘Everything will be fine!’” |
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Diasrym | Definition: Condemning through faint praise. | |||||||||||||||||||||||||||||||
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“You’re lucky you got blessed with good genes because you certainly don’t do anything to help.” Petra in Fashionably Dead by Robyn Peterman
“And, dear, are you sure about the vest?” “Well, I suppose you know best.” “You look very nice, but could you straighten your collar? “Perhaps not the wisest move, but I won’t criticize your choices. |
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Diatyposis | Definition: Recommending useful precepts or advice to someone else. | |||||||||||||||||||||||||||||||
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“In dwelling, live close to the ground. In thinking, keep to the simple. In conflict, be fair and generous. In governing, don’t try to control. In work, do what you enjoy. In family life, be completely present.” – Lao Tzu, Tao Te Ching
“Think Small.” – Volkswagen slogan “Look up, laugh loud, talk big, keep the color in your cheek and the fire in your eye, adorn your person, maintain your health, your beauty and your animal spirits.” – William Hazlitt Credit to: Nordquist, “Can” |
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Dicaeology | Definition: Defending oneself in argument by claiming justification or offering an excuse. | |||||||||||||||||||||||||||||||
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I’m a poor excuse of a poet.
Oh, I’m not that pretty. I thought you were dead. |
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Dilemma | Definition: in rhetoric, forcing a choice between two equally unfavorable choices. | |||||||||||||||||||||||||||||||
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Do I stay here for the job security, or do I risk it all for the chance of a better career?
We are faced with two choices, neither of which I like. “Honey, I was just offered that professorship at Harvard,” he exclaimed.” “But I thought you wanted the think tank position with DARPA . . .” she said slowly. He owes the senator a favor, but his constituency would want the opposite . . . what choice should he make? I’m damned if I do, and damned if I don’t. |
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Dilogy | Definition: Intentional ambiguousness in which a word is used in an equivocal sense. | |||||||||||||||||||||||||||||||
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In the Nymphomaniac, Seligman associates the Christian Sacrament of Penance using the phrase “mea maxima vulva”, repudiating love in pursuit of sex.
Credit to: Butler |
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Dinumeration | Definition: Numbering of rhetorical points one by one. | |||||||||||||||||||||||||||||||
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Dionysian Imitatio | Definition: The literary method of copying and improving on material provided by previous writers.
Originally formulated by the Greek author Dionysius of Halicarnassus. It’s opposite is mimesis. Credit to: Dionysian |
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“Cormac McCarthy . . . stole the villain of Blood Meridian nearly word from Samuel Chamberlain‘s My Confessions (Bunting).
Shakespeare was notorious for borrowing from Roman writers and history. |
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Ecbasis | Definition: An orator deals with things in terms of events and their consequences.
I’m thinking that speakers who told fictional stories with heroes who performed actions and the consequences of those actions are what is meant by ecbasis (O’Connor). |
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Gulliver’s Travels by Jonathan Swift Hrolf Gautreksson: A Viking Romance (Actually a Unesco Collection of Representative Works, Icelandic Series) Prose Edda and the Heimskringla by Snorri Sturluson Credit to: O’Connor |
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Ecbole | Definition: A verbal aside or divergence in which a person utters words of his or her own making. | |||||||||||||||||||||||||||||||
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“A little more than kin, and less than kind” from William Shakespeare’s Hamlet is an aside by Hamlet.
Macbeth’s speech that begins with “Time thou anticipat’st my dread exploits. / The flighty purpose never is o’ertook . . .” is an aside in which the reader learns that Macbeth regrets that he’s about to attack MacDuff but he’ll do it without hesitation, making it clear that Macbeth has lost his moral values. Credit to: Aside |
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Echolalia | Definition: Echo-like repetition of another’s words. | |||||||||||||||||||||||||||||||
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“You’ll never guess! I had dinner at L’Ecole last night.” “You had dinner at L’Ecole last night!?” |
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Echopraxia | Definition: Echo-like repetition of another’s actions. | |||||||||||||||||||||||||||||||
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Janie and Helen raise their hands just so, as if it were some kind of ritual. It’s creepy.
Rover howls at the moon for precisely 3.5 seconds every night. Gene, George, and Geoffrey all hold their forks the same way. |
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Ecphasis | Definition: An explicit declaration or interpretation. | |||||||||||||||||||||||||||||||
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The quality of transportation is affected by its cost.
The improvement of wages and working conditions will result in more productive workers. |
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Ecphonesis | Definition: An emotional, exclamatory phrase (exclamation) used in poetry, drama, or song. | |||||||||||||||||||||||||||||||
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“O tempora! O mores!”
“Oh, the times! Oh, the morals!” “Young man!” from the song “YMCA” by the Village People. “Almighty God! — no, no! They heard! — they suspected! — they knew! — they were making a mockery of my horror! — his I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now — again! — hark! louder! louder! louder! louder! “‘Villains!’ I shrieked, ‘dissemble no more! I admit the deed! — tear up the planks! here, here! — It is the beating of his hideous heart!'” – Edgar Allan Poe, “The Tell-Tale Heart” “No! No-no-no-no-no-no! Well, yes.” – The Simpsons episode “Homer The Heretic” “Oh joy! Rapture!” – the Scarecrow from Frank L. Baum’s Wizard of Oz Credit to: Ecphonesis |
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Ekphrasis | Definition: You can take this one of two ways:
A.k.a. ecphrasis |
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“Some scholars consider the Imagines to be ‘our most extensive account of what a Roman picture gallery, a Roman catalogue of pictures, and the Roman viewing of pictures may have been like.” – Bryson, 255
Another and perhaps more important reason is “that paintings convey the dramatic actions of human and divine events represented as an illusion by means of perspective and naturalistic imitation. A knowledge of these events, which are drawn from literature and mythology, is prerequisite to a full understanding of the artist’s representation of them” – Land, 33 The artist Dégas is a visual example of ecphrasis, for he explored modern life and painted images of middle class leisure in the city. He captured strange postures from unusual angles under artificial light. He rejected the academic ideal of the mythical or historical subject, and instead sought his figures in modern situations, such as at the ballet. It was a black wallet. She wore red Keds. It was a white Cadillac. Credit to: Ecphrasis |
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Ekphrastic | Definition: A form of writing, mostly poetry, wherein the author describes another work of art, usually visual. It is used to convey the deeper symbolism of the corporeal art form by means of a separate medium. | |||||||||||||||||||||||||||||||
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A photograph of an empty landscape, phrases such as an empty doorway or a childless nursery can convey desolation, abandonment, and loss.
Credit to: Literary Devices |
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Eloquence | Definition: Graceful, forceful, or persuasive speech. | |||||||||||||||||||||||||||||||
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“I have a dream.” – Martin Luther King
“Friends, Romans, countrymen, lend me your ears.” – William Shakespeare, Julius Caesar The “Ich bin ein Berliner” speech by John F Kennedy in 1963 “My fellow Americans: ask not what your country can do for you — ask what you can do for your country.” – John F Kennedy |
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Emphasis | Definition: Gives special importance or attention to something through the repetition of key words or phrases and/or through the careful arrangement of words to give them special weight and prominence. It may provide a forceful quality in the way something is said or written. | |||||||||||||||||||||||||||||||
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May Use Other Literary Devices including:
The most emphatic spot in a sentence is usually the end. Credit to: Nordquist, “Ways” |
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“Curiosity is one of the lowest human faculties.” – E.M. Forster
“So the great gift of symbolism, which is the gift of reason, is at the same time the seat of man’s peculiar weakness — the danger of lunacy.” – Thomas Kane, The New Oxford Guide to Writing “What applies to the sentence also applies to the paragraph.” – Roy Peter Clark, Writing Tools |
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Epanalepsis | The post, “Word Play”, will provide more detail in the entry, Epanalepsis, in the post. | |||||||||||||||||||||||||||||||
Epizeuxis | Definition: The repetition of a word or phrase in immediate succession, for vehemence or emphasis, drawing the focus to a particular thought, idea, and emotion. | |||||||||||||||||||||||||||||||
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It adds freshness and rhythm and gives artistic effect to a piece, making it more memorable.
For maximum effect, there should not be too many words between the repeated word(s) in a epizeuxis. May Use Other Literary Devices including:
It is similar to epanalepsis. The opposite of hypozeuxis. A.k.a. diacope, hyperzeuxis |
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“Free at last! Free at last! Thank God, Almighty, we are free at last!” – Martin Luther King, Jr., 28 August 1963
“Happy families are all alike; every unhappy family is unhappy in its own way.” – Leo Tolstoy, Anna Karenina “And my poor fool is hanged! No, no, no life! Phil Spector tamps his frontal lobes and closes his eyes and holds his breath. As long as he holds his breath, it will not rain, there will be no raindrops, no schizoid water wobbling, sideways, straight back, it will be an even, even, even, even, even, even, even world . . .” – Tom Wolfe, The Kandy-Kolored Tangerine-Flake Streamline Baby “Even” is repeated at the end, making this text notable for the readers and brings an emotional effect within the text. “The people everywhere, not just here in Britain, everywhere — they kept faith with Princess Diana. They liked her, they loved her, they regarded her as one of the people. She was the people’s princess. And that’s how she will stay, how she will remain, in our hearts and in our memories, forever.” – Tony Blair, 31 August 1997 |
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Hypozeuxis | Definition: A sentence or expression in which every clause has its own subject and verb. | |||||||||||||||||||||||||||||||
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If the same words are repeated in each clause, it is also an example of “Figure of Speech: Anaphora“.
May Use Other Literary Devices including:
Its opposite is epizeuxis, which may also be a form of zeugma. Credit to: Vendôme |
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“We shall fight on the beaches. We shall fight on the landing grounds. We shall fight in the fields and in the streets. We shall fight in the hills.” – Winston Churchill | ||||||||||||||||||||||||||||||||
Enantiosis | Definition: Expresses an idea by way of a word or words opposite in meaning. | |||||||||||||||||||||||||||||||
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Little John was Robin Hood’s second in command.
“[Frank Curtis] Lynch was a huge man who played tackle for the navy football team. Naturally he acquired the nickname ‘Tiny.'” – Michael Sturma, Death at a Distance: The Loss of the Legendary USS Harder “There was strength against nimbleness, rage against resolution, fury against virtue, confidence against courage, pride against nobleness; love, in both, breeding mutual hatred, and desire of revenging the injury of his brothers’ slaughter, to Anaxus, being like Philoclea’s captivity to Pyrocles. . . . The Irish greyhound against the English mastiff, the sword-fish against the whale, the rhinoceros against the elephant, might be models, and but models, of this combat.” – Sir Philip Sidney, The Countess of Pembroke’s Arcadia Credit to: Jamieson |
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Epanodos | Definition: Recapitulation of chief points in a discourse while presenting, after digression, or returning to and providing additional detail for items mentioned previously (often using parallelism).
A.k.a. epanadis, epanodis, reditus ad propositum, regressio, regression, the figure of retire |
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“Love, hope, and death, do stir in me such strife, As never man but I led such a life: For burning love doth wound my heart to death: And when death comes at call of inward grief, Cold lingering hope doth feed my fainting breath: Against my will, and yields my wound relief, So that I live, and yet my life is such: As never death could grieve me half so much.” – Puttenham for F.J. Credit to: Burton, “Epanodos” |
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Epanorthosis | Definition: Retraction of a statement in order to intensify it.
A retraction (or pseudo-retraction) is a type of epanorthosis. |
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“Maybe there is a beast . . . What I mean is . . . maybe it’s only us.” – Simon in William Golding’s Lord of the Flies
“With a heave of his chest, Croker rose and came walking — or, rather, limping — toward him.” – Tom Wolfe, A Man in Full “[A] good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly.” – Shakespeare, Henry V, act 5, scene 2 “I don’t like the majority of what I do. I shouldn’t say I don’t like it, but I’m not satisfied with almost everything that I do.” – Paul Simon Credit to: Nordquist, “Using” |
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Epexegesis | Definition: The addition of words to make the sense more clear. | |||||||||||||||||||||||||||||||
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“We have no great affection for your government. You would please not take offense at this. But the fact remains that we would cooperate only if the alleged crime is a penal offense, or, as you would say it, a felony.” – Jordan Belfort, The Wolf of Wall Street
“I moved into a monastic four-room floor-through on Seventy-fifth Street. ‘Monastic’ is perhaps misleading here, implying some chic severity; until after I was married and my husband moved some furniture in, there was nothing at all in those four rooms except a cheap double mattress and box springs, ordered by telephone the day I decided to move, and two French garden chairs lent me by a friend who imported them.” – Joan Didion, “Goodbye to All That.” Slouching Towards Bethlehem: Essays Credit to: Nordquist, “What” |
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Epiphonema | Definition: And exclamation, finishing phrase, or reflection. | |||||||||||||||||||||||||||||||
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“Thus is the haughty miller soundly beat, And thus he’s lost his pay for grinding wheat, And paid for the two suppers, let me tell, of Alain and of John, who’ve tricked him well, His wife is taken, also his daughter sweet; Thus it befalls a miller who’s a cheat.” – Chaucer, The Reeve’s Tale The Canterbury Tales)
“So weighty a matter it was to set up the Romane nation.” “So mightily grew the word of God and prevailed.” Acts 19:20 “Of matters approved, an example of Peter saying thus to his Lord: ‘Lo, we have forsaken all and followed thee.'” – Matthew 19:27 Credit to: Epiphonema |
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Epiploce | Definition: One striking circumstance is added, in due gradation, to another.
It’s “Figure of Speech: Climax” combined with epanastrophe. Credit to: Epiploce |
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“He not only spared his enemies, but continued them in employment; not only continued, but advanced them.” | |||||||||||||||||||||||||||||||
Epistrophe | Definition: The repetition of a word or words at the end of two or more successive clauses, phrases, or verses. | |||||||||||||||||||||||||||||||
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The opposite of “Figure of Speech: Anaphora“.
CAUTION: Don’t overuse this, as it will dilute its effectiveness. It also uses passive voice which can be weak. A.k.a. epiphora |
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“. . . that government of the people, by the people, for the people, shall not perish from the earth.” – Abraham Lincoln, Gettysburg Address, 19 November 1863
“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.” – Lyndon Johnson, Washington, D.C., 15 March 1965 “I left campus knowing little about the millions of young people cheated out of educational opportunities here in this country. And I knew nothing about the millions of people living in unspeakable poverty and disease in developing countries.” – Bill Gates, Harvard University address, 7 June 2007 “Where now? Who now? When now . . .” – Samuel Beckett, The Unnamable. “Hourly joys be still upon you! Juno sings her blessings on you . . . Scarcity and want shall shun you, Ceres’ blessing so is on you.” “Then I’ll be all aroun’ in the dark. I’ll be ever’where — wherever you look. Wherever they’s a fight so hungry people can eat, I’ll be there. Wherever they’s a cop beatin’ up a guy, I’ll be there . . . An’ when our folk eat the stuff they raise an’ live in the houses they build — why, I’ll be there . . .” – John Steinbeck, The Grapes of Wrath “The big sycamore by the creek was gone. The willow tangle was gone. The little enclave of untrodden bluegrass was gone. The clump of dogwood on the little rise across the creek — now that, too, was gone . . .” – Robert Penn Warren, Flood: A Romance of Our Time Credit to: Diacope; Epistrophe, “Lit Dev” |
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Epitrope | Definition: A figure in which one turns things over to one’s hearers, either pathetically, ironically, or in such a way as to suggest a proof of something without having to state it. | |||||||||||||||||||||||||||||||
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It often takes the form of granting permission, submitting something for consideration, or simply referring to the abilities of the audience to supply the meaning that the speaker passes over.
Epitrope can be either biting in its irony or flattering in its deference. A specific form of epitrope is the (apparent) admission of what is wrong in order to carry our point. A.k.a. admission, concessio, epitropis, figure of reference, figure of submission, permissio |
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“Go ahead, make my day . . .” – Clint Eastwood, Dirty Harry
“If you seeke the victorie take it, and if you list, triumph.” – A. Fraunce “Because all things [be] taken away, only is left unto me my body and mind. These things, which only are left unto me of many, I grant then to you and to your power.” – R. Sherry Oh no, oh no, what have you done! “Rejoice, O young man, in thy youth; and let thy heart cheer thee in the days of thy youth, and walk in the ways of thine heart, and in the sight of thine eyes: but know thou, that for all these things God will bring thee into judgment.” – Ecclesiastes 11:9 “The horror, the horror” in Joseph Conrad, Heart of Darkness Waitress: Shut up! Shut up! Shut up! Bloody vikings. You can’t have egg, bacon, Spam and sausage without the Spam. Mrs. Bun: I don’t like Spam! Mr. Bun: Shh dear, don’t cause a fuss. I’ll have your Spam. I love it. I’m having Spam, Spam, Spam, Spam, Spam, Spam, Spam, baked beans, Spam, Spam, Spam and Spam. – Monty Python, the Spam sketch And my poor fool is hanged! No, no, no life! Why should a dog, a horse, a rat have life, And thou no breath at all? Thou’lt come no more, Never, never, never, never! – Shakespeare, King Lear “This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings This land of such dear souls, this dear dear land, – Shakespeare, Richard II “Alone, alone, all, all alone, Alone on a wide, wide sea.” – Samuel Coleridge, The Rime of the Ancient Mariner Legend:
Credit to: Burton, “Epitrope” |
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Equivocation | Definition: A logical fallacy, it is an ambiguous term using roundabout language in more than one sense, thus making an argument misleading. | |||||||||||||||||||||||||||||||
Exception: Equivocation works great when deliberate attempts at humor are being made.
Tip: When you suspect equivocation, substitute the word with the same definition for all uses and see if it makes sense. A.k.a. doublespeak |
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I want to have myself a merry little Christmas, but I refuse to do as the song suggests and make the yuletide gay. I don’t think sexual preference should have anything to do with enjoying the holiday.
The word, “gay”, is meant to be in light spirits, joyful, and merry, not in the homosexual sense (although why “I” has to fixate on only one interpretation, I don’t know). The priest told me I should have faith. I have faith that my son will do well in school this year. Therefore, the priest should be happy with me. The term “faith” used by the priest, was in the religious sense of believing in God without sufficient evidence, which is different from having “faith” in your son in which years of good past performance leads to the “faith” you might have in your son. |
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Erotema | Definition: A question that is asked without expecting an answer because the answer is strongly implied. | |||||||||||||||||||||||||||||||
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It is frequently used as a transition or as a thought-provoking tool before proceeding.
A well-structured erotema will lead the audience to the conclusion that the speaker wants them to reach. A.k.a. eperotesis, erotesis, interrogation Credit to: Erotema |
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What should honest citizens do?
“Was I not born in the realm? Were my parents born in any foreign country? Is not my kingdom here? Whom have I oppressed? Whom have I enriched to other’s harm? What turmoil have I made in this commonwealth that I should be suspected to have no regard to the same?” – Queen Elizabeth I, response to a Parliamentary delegation |
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Euphemism | Definition: The substitution of a more favorable word or phrase for a pejorative or socially delicate term. | |||||||||||||||||||||||||||||||
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It’s a type of ambiguous and roundabout language.
A.k.a. euphemismus |
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King Richard: What says he? Northumberland: Nay, nothing, all is said. His tongue is now a stringless instrument – Shakespeare, Richard II Act 2, Scene 1, 147-149 Richard inquires after John of Gaunt with his “stringless instrument”, a euphemism for “he died” (Burton). |
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Dysphemism | Definition: An offensive or detrimental phrase deliberately used in place of a nicer one. | |||||||||||||||||||||||||||||||
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Hey, jerk.
It’s all frankenfood. You eat this junk? |
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Nice-nellyism | Definition: An act or expression of prudishness or excessive modesty.
Also timid writing. A.k.a. nice-Nellyism, nice nellie, nice Nelly |
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He’s gone now to Fiddler’s Green.
“I am reluctant to say no, but I suspect I do have a major disagreement with the general orientation of the book, given that its beginning premise sounds opposed to the conclusions of my own recent work. I would be glad to find another person to review it, however, if you do not have others on your list. Please let me know if you’d like me to ask colleagues.” – Alan Sica. |
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Paradiastole | Definition: Something usually thought of as a vice is treated as a virtue, or (less often) vice versa. | |||||||||||||||||||||||||||||||
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“‘I wouldn’t call it a lie,’ Clement said thoughtfully, looking at Sheila. ‘I’d say it was a fantasy. A protective fantasy. Mother was editing her past in order to make it bearable.'” – Brian Aldiss, Forgotten Life (The Squire Quartet, 2)
Avril Talbot: Would you like him to know you’re blackmailing me? Snell: Blackmail is an old-fashioned word, Miss Talbot. Avril Talbot: Well, what would you call it? Snell: It’s business. I’m selling; you’re buying. I’m selling a little commodity known as silence.” – Naomi Chance and Harold Lang, Wings of Danger “You will stand out heroically in our foulmouthed, angry culture. Or, rather, our frank, passionate culture.” – Jay Heinrichs, Word Hero: A Fiendishly Clever Guide to Crafting the Lines that Get Laughs, Go Viral, and Live Forever Credit to: Nordquist, “Pejorative” |
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Paranym | Definition: A euphemistic word or phrase whose literal sense is contrary to the reality of what it refers to, used especially to disguise or misrepresent the truth about something.
For greater depth, you may want to explore the post “Grammar: Paranyms“. |
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Eutrepismus | Definition: The numbering or ordering of a series of phrases that are all under consideration to structure arguments and speeches more clearly, making them easier for an audience to take in and follow your train of thought. | |||||||||||||||||||||||||||||||
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First, we need to explain what this is. Second, we need to show how it works. And third, we need to explain what it achieves. | |||||||||||||||||||||||||||||||
Exordium | Definition: The beginning or introductory part of a book or other printed work, or of a discourse. | |||||||||||||||||||||||||||||||
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The best example is Richard Nordquist’s “Exordium – Definition and Examples” at ThoughtCo. | |||||||||||||||||||||||||||||||
Fustian | Definition: A high-flown, bombastic style of writing or speaking. | |||||||||||||||||||||||||||||||
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“It is I, the very heart and soul of this school — colleagues, let education commence!”
Credit to: Fustian |
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Gemmination | Definition: The immediate repetition of a word, phrase, sentence, etc., for emphasis and rhetorical effect. | |||||||||||||||||||||||||||||||
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“O sad, sad was my soul Because, because of a woman.” “I loved, lord, I loved, I wanted to be loved.” – Racine, Bérénice |
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Gongorism | Definition: An elaborate, florid, intricate style of writing, after Góngora y Argote. | |||||||||||||||||||||||||||||||
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Luis de Góngora’s “Soledades”, a translation is The Solitudes of Don Luis De Gongora by Edward Meryon Wilson (trans.). Cambridge University Press, London: 1965. <https://amzn.to/3IChI9k>. | |||||||||||||||||||||||||||||||
Hendiadys | Definition: The expression of a single idea by two words connected with and when one could be used to modify the other.
A.k.a. endiadis, endiaduz, figure of twinnes, hendyadis, two for one |
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Heterosis | Definition: One form of verb is exchanged for another form, for example, changing the temporal nature of the verb, you can change associated emotion. | |||||||||||||||||||||||||||||||
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This substitution can happen when:
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I know the game has not yet started, but I know we have won.
“Well, I says to him, I says. ‘What are you doing?’ Then he looks at me and I think, ‘Duh!'” I throwed the ball over the fence. Credit to: Heterosis |
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Homeoteleuton | Definition: The repetition of endings in words that are similar or the same, either intentionally for rhetorical effect or by mistake during copying of text. | |||||||||||||||||||||||||||||||
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May Use Other Literary Devices including:
A.k.a. homoeoteleuton, homoioteleuton, near rhyme |
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He is esteemed eloquent which can invent wittily, remember perfectly, dispose orderly, figure diversly, pronounce aptly, confirm strongly, and conclude directly.
No marvell though wisedome complaineth that shee is either wilfully despised, or carelesly neglected, either openly scorned, or secretely abhorred. In activitie commendable, in a commonwealth profitable, and in warre terrible. (Peacham) Art thou in povertie? seeke not principality, but rather how to relaeve thy necessitie. (Peacham) Credit to: Homeoteleuton, Homoioptoton |
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Homiletics | Definition: The practice and study of the art of sacred speaking, preaching. | |||||||||||||||||||||||||||||||
Homily | Definition: A sermon or serious admonition with the intention of spiritual edification. | |||||||||||||||||||||||||||||||
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“He is not only able to cast wicked men into hell, but he can most easily do it. Sometimes an earthly prince meets with a great deal of difficulty to subdue a rebel that has found means to fortify himself . . . So ’tis easy for us to cut or singe a slender thread that anything hangs by; thus easy is it for God, when he pleases, to cast his enemies down to hell. What are we, that we should think to stand before him, at whose rebuke the earth trembles, and before whom the rocks are thrown down.” – Jonathan Edwards, “Sinners in the Hands of an Angry God”
Credit to: Homily |
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Homoeoptoton | Definition: Repetition of a series of words sharing the same verb or noun inflections, etc., at the end of phrases. | |||||||||||||||||||||||||||||||
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“Be cheerful with those that are glad, Be tearful with those that are sad.” – Romans 12:15 Credit to: StudyLight.org |
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Hypallage | Definition: Reverses or rearranges two words in a sentence, requiring the reader to work out the real meaning. | |||||||||||||||||||||||||||||||
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It often creates a metaphor that can add depth to the meaning, such as the implication that as the person is happy then everything else, even the inanimate road, is infected by his or her happiness.
A.k.a. transferred epithet |
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Credit to: Hypallage |
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Hyperbaton | Definition: Playing with the normal position of words, phrases, and clauses in order to create differently arranged sentences interrupting their natural flow, but which still suggest a similar meaning. This unconventional placement can result in intriguing and complex sentence structures. | |||||||||||||||||||||||||||||||
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It’s useful for emphasis and is greatly used as inflected language.
In rhyming and metered poems, it’s useful in fitting a sentence into the structure of a poem properly. In sentences, it can result in emphasis at the desired place. Hyperbaton is also known as a broader version of hypallage and is similar to anastrophe. |
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“Some rise by sin, and some by virtue fall . . .” – Shakespeare, Measure for Measure
By using “some by virtue fall” instead of the expected “some fall by virtue”, Shakespeare places the emphasis on “virtue fall”. “Yes, a Jedi’s strength flows from the Force. But beware of the dark side. Anger, fear, aggression; the dark side of the Force are they. Easily they flow, quick to join you in a fight. If once you start down the dark path, forever will it dominate your destiny, consume you it will, as it did Obi-Wan’s apprentice.” Yoda in Star Wars Off of the horse, Katie did fall. Into the box went the homework and onto the playground went the class. She hit him, and he fell — this only can I report. Alone he walked on the cold, lonely roads. Credit to: Hyberbaton |
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Hysteron Proteron | Definition: Breaks the rule of narrating events in sequence in order to put the important events first, a reversing of the temporal sequence in order to put important ideas first. | |||||||||||||||||||||||||||||||
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With this deliberate reversal, hysteron proteron draws attention to the important point.
A.k.a. prothysteron Credit to: Hysteron |
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I conquered, I saw, I came.
We can win by fighting hard. She brought me up well and gave birth to my life. Putting on my shoes and socks. Credit to: Hysteron |
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Hyperbole | There are pages and pages to read in the post, “Figure of Speech”, about hyperboles. | |||||||||||||||||||||||||||||||
Adynaton | Definition: Exaggeration that is taken to a ridiculous and literally impossible extreme. | |||||||||||||||||||||||||||||||
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When pigs fly!
When Hell freezes over! I slept like a rock last night. These high heels are killing me. Be careful, it’s a jungle out there. You’re as light as a feather. Credit to: Liles |
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Hypobole | Definition: A figure in which several things are mentioned in argument of things apparently damaging to one’s side (or in favor of the opposing side) with the successive refutation of each.
It’s very similar to procatalepsis. A.k.a. subjection Credit to: Davidson |
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My arm? It doesn’t hurt at all.
The arm was cut off. If he so much as looks at me . . . When someone doesn’t want any contact from a person. If you so much as breathe . . . When demanding that someone be silent. Credit to: Stack |
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Hypostrophe | Definition: A return to a primary argument after digression — think of it as an insertion or parenthesis that intends to clear things up. | |||||||||||||||||||||||||||||||
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“But as I just said, some are ungrateful for the kindness of our Saviour, they deny the Lord, they shake off the yoke of service . . .” Cyril exclaimed (Wessel). | |||||||||||||||||||||||||||||||
Hypotyposis | Definition: Lively description of an action, event, person, condition, passion, etc., used for creating the illusion of reality.
A.k.a. adumbratio, demonstratio, evidentia, hypotiposis, representatio the counterfait representation, visible presentation, word-picture Credit to: Hypotyposis |
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“. . . in a moment look to see The blind and bloody soldier with foul hand Defile the locks of your shrill-shrieking daughters; Your fathers taken by the silver beards And their most reverend heads dashed to the walls; Your naked infants spitted upon pikes, Whiles the mad mothers with their howls confused Do break the clouds . . .” (Garrett Epp, H5 3.3 qtd.) “No joyful tongue gave him his welcome home, But dust was thrown upon his sacred head; Which with such gentle sorrow he shook off, His face still combatting with tears and smiles . . .” (Garrett Epp, R2 5.1 qtd.) |
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Laconicism | Definition: A tendency to use few words to express a great deal; conciseness.
A.k.a. laconism |
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Philip II of Macedon: “You are advised to submit without further delay, for if I bring my army into your land, I will destroy your farms, slay your people, and raze your city.”
The Spartans: “If.” In response to set up a democracy in Sparta, Lycurgus replied: “Begin with your own family.” When Leonidas was in charge of guarding the narrow mountain pass at Thermopylae with just 7,000 allied Greeks in order to delay the invading Persian army, Xerxes offered to spare his men if they gave up their arms. Leonidas replied, “Come and take them.” |
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Lexiphanicism | Definition: [Archaic] The pretentious or bombastic use of long or obscure words or phrases. | |||||||||||||||||||||||||||||||
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How perspicacious of you!
Let’s go to the john and alleviate the pain. It’s a perfectly cromulent word. |
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Litotes | There may be more to explore in the post, “Figure of Speech: Litotes“. | |||||||||||||||||||||||||||||||
Macrologia | Definition: Longwindedness. Using more words than are necessary in an attempt to appear eloquent.
A.k.a. macrology Burton, “Macrologia” |
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“My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day, and time; Therefore, [since] brevity is the soul of wit, And tediousness the limbs and outward flourishes, I will be brief. Your noble son is mad: Mad call I it, for to define true madness, What is’t but to be nothing else but mad?” – Shakespeare, Hamlet act 2 scene 2, 86-94 |
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Perissology | Definition: A pleonasm, it’s the use of more words than are necessary to convey meaning. | |||||||||||||||||||||||||||||||
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At this point in time we can’t ascertain the reason as to why the screen door was left open.
My sister, who is employed as a nutritionist at the University of Michigan, recommends the daily intake of megadoses of Vitamin C. Basically, in light of the fact that Congressman Fuenches was totally exhausted by his last campaign, there was an expectation on the part of the voters that he would not reduplicate his effort to achieve office in government again. |
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Mataeology | Definition: A discourse that is fruitless or in vain. | |||||||||||||||||||||||||||||||
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Speculation about what will happen in twenty years’ time or how a friend will react. | |||||||||||||||||||||||||||||||
Maypoling | Definition: The rearrangement of words of the latter of two consecutive sentences so that the latter sentence adds color and mood to the former while borrowing its words to affirm or deny its existence.
Credit to: Quizlet |
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“The large red room was gloomy. The gloomy redness of the room was due largely to . . .”
Imani David’s Anathema Rhodes, (David). |
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Meiosis | Definition: A kind of humorous understatement that dismisses or belittles, especially by using terms that make something seem less significant than it really is or ought to be. One word is frequently sufficient. | |||||||||||||||||||||||||||||||
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“The unspeakable in full pursuit of the uneatable.” – Oscar Wilde on fox hunting
Credit to: Nordquist, “Meiosis” |
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Tapinosis | Definition: A term for name calling using undignified language that debases a person or thing. | |||||||||||||||||||||||||||||||
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You may also want to take a peek at “Literary Device: Smear Word Epithet“.
A.k.a. abbaser, depreciation, humiliatio Credit to: Nordquist, “Meiosis” |
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Listen up, you maggots.
You, jerk, get back here and clean that up! Around here, we call him Dr. Moron. |
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Metabasis | Definition: A transition from one subject or topic to another in a statement in which one explains what has been and what will be said. | |||||||||||||||||||||||||||||||
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8 Kinds of Metabasis, categorized according to the sort of relationship being announced between the preceding and subsequent matter:
A.k.a. transitio, transicio transition |
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“You have heard how the proposed plan will fail; now consider how an alternative might succeed.”
The matters you have heard were wonderful, and those that you shall hear are no less marvelous. I have spoken of his notable enterprises in France, and now I will rehearse his worthy acts done in England. As I have spoken of his sad adversity and misery, so will I now speak of his happy prosperity. You may think me too long in the threatenings of the law; I will now pass to the sweet promises of the gospel. Why do I dwell on these things? I shall hasten my speech unto that which is the principal point of the matter in question. You have heard how he promised, and now I will tell you how he performed. |
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Metaphrase | Definition: A literal word-by-word, line-by-line translation.
It also refers to the translation of prose into verse OR verse into prose. It is the opposite of paraphrase. |
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Metaplasmus | Definition: Misspelling a word to create a rhetorical effect:
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Epenthesis | Definition: Adds an extra syllable or letters in the middle of a word.
A.k.a. infixation |
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A visitating spirit came last night.
Highlights the unnatural status of the visit. Gosh-diddly-darn-it, honey. |
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Prosthesis | Definition: Adds an extra syllable or letters to the beginning of a word to create a poetic effect, turning a run-of-the-mill word into something novel. | |||||||||||||||||||||||||||||||
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All alone, I beweep my outcast state.
I was all afrightened at the thought of that long and lonely walk through the woods. |
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Metastasis | Definition: A shifting of responsibility or blame or turning an objection back against itself.
A.k.a. the flitting figure, remove, transmotionem Credit to: Nordquist, “Effective” |
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Dr. Lisa Cuddy: “You idiot! I was free and clear. Now he’s coming and it’s your fault! Dr. James Wilson: “Since when has your failed attempt at communication through lies become my fault?” Dr. Lisa Cuddy: “Since you forgot how to keep your mouth shut! You messed it up, and now you fix it! And you’re gonna keep my name out of it!” – “Unfaithful,” House M.D., 2009 “And it came to pass, when Ahab saw Elijah, that Ahab said unto him, Art thou he that troubleth Israel? And he answered, I have not troubled Israel; but thou, and thy father’s house, in that ye have forsaken the commandments of the LORD, and thou hast followed Baalim.” – 1 Kings 18:17-18 |
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Metonymy | Read a boring post, “Figure of Speech: Metonymy“, in my blog. | |||||||||||||||||||||||||||||||
Mimesis | Definition: Imitating the action of life.
Its opposite is Dionysus imitatio. Credit to: Editors |
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Might be found in a play with a realistic setting or in a particularly life-like statue.
Referring to the purpose of playing as being “. . . to hold, as ’twere, the mirror up to nature.” – Shakespeare, Hamlet Credit to: Editors |
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Noema | Definition: Obscure speech or speech that only yields meaning upon detailed reflection.
Credit to: Noema |
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Hortentius said, that he was never made friends with his mother and his sister.
Meaning that there was never any debate or contention between them. Credit to: Noema, TU |
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Onomatopoeia | Click on over to the clatter of the post, “Figure of Speech: Onomatopoeia“. | |||||||||||||||||||||||||||||||
Palillogy | Definition: The repetition of a phrase or word. | |||||||||||||||||||||||||||||||
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He cannot be good, knows not why he is good, but stands good.
That answer is wrong, wrong, wrong!!! You should’ve seen his face; he was very, very surprised. Ah, me darlin’, it was a long, long, long time ago . . . |
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Parabola | Definition: Rhetorical use to create an explicit drawing of a parallel between two essentially dissimilar things, especially with a moral or didactic purpose.
Similar to a parable, it can be considered a type of metaphor, simile, or allegory (within its more constrained meaning). Credit to: Forest |
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A lone tree standing in an open field may attract lightning.
A person without peers may likewise invite destruction. Credit to: Parabola |
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Paradigm | Definition: Uses narrative to compare the resemblance of one thing to another thing, making it easier for readers to understand complex information through story: | |||||||||||||||||||||||||||||||
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5 Narrative Paradigm Types: Credit to: Caldiero |
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Most commonly in news and magazine articles. | ||||||||||||||||||||||||||||||||
Imagined Futures Narrative Paradigm | Definition: Stories of a cultural nature that discuss what the future may look like with specific reference to the crisis at hand and may include individuals, groups, or society as a whole. | |||||||||||||||||||||||||||||||
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“When executives do fly in the coming months, many more will be taking a corporate jet. ‘Whatever movement there’s been to corporate jets,’ says Julie Kroll, ‘you’ll see an increase, as people question the safety of commercial air travel’” (Caldiero).
“Grieving dominates life in the weeks following a tragedy. But slowly, survivors are beginning to contemplate the financial worries that lie ahead. Many of the dead were the family’s primary breadwinners” (Caldiero). |
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Individual and Collective Narrative Paradigms | Definition: Stories about individuals or groups, of a biographical nature, which help readers less involved in the crisis understand the dynamics and concrete forms unfolding before them . . . in terms of stories, plots which have beginnings, middles, and ends, heroes and antiheroes, and tragic forms” (Caldiero). | |||||||||||||||||||||||||||||||
Individual Narrative Paradigm | Definition: Stories about an individual caught up in events. | |||||||||||||||||||||||||||||||
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“Architect Bob Shelton had his foot in a cast; he’d broken it two weeks ago. He heard the explosion of the first plane hitting the north tower from his 56th-floor office in the south tower” (Caldiero).
“New FBI Chief Robert Mueller, on only his second week of work, conducted a 6 p.m. conference call with special agents in charge of all the 56 field offices” (Caldiero). |
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Collective Narrative Paradigm | Definition: Stories about larger groups, such as organizations, companies, or classifications of people, i.e., firefighters, Navy SEALs, teachers, Apple, Exxon, etc. | |||||||||||||||||||||||||||||||
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“As rescuers searched the rubble surrounding the World Trade Center, they waded through a sea of paper-records of bond trades, stock quotes, and financial statements” (Caldiero).
“After the first chaotic moments, when nobody knew what they had on their hands, thousands of medical workers mobilized throughout the Northeast to care for the victims of the World Trade Center and Pentagon attacks” (Caldiero). |
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Prevention Narrative Paradigm | Definition: Stories that focus on the cause-and-effect when a crisis occurs, discussing what can or should have been done to prevent or avoid it.
As a narrative, its pattern is intended to reassure readers about the prevention of future crises of a similar nature (Caldiero). |
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“Scott Stephenson, an 18-year veteran with American Airlines, says, ‘It’s probably safer now than it’s ever been. But it’s also more intense. We’re told to let security know if we see the slightest thing that looks suspicious’” (Caldiero).
“The experts said that a few Bin Laden lieutenants were probably operating in the United States, but no one seriously expected a major attack, at least right away. The millennium plots should have been a wakeup call” (Caldiero). When the Ebola scare occurred in Zaire a few years ago, Zairian media shifted its focus (and thus its narrative type) to preventive measures, designed to alleviate panic (Caldiero). |
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Reflection Narrative Paradigm | Definition: Stories that look back on the crisis, examining it, imagining future narratives, dealing with the aftermath of it, and making the crisis “meaningful” to the reader (Caldiero).
Such stories may become mythic “. . . wielding a new image, one heavily tinged with heroism and invested with mythological meaning” (Scott, 2000, p. 52) |
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“America has become a jittery nation since the attacks on the World Trade Center and the Pentagon, and with good reason” (Elliott, 26).
“In this age of terrorism I can intellectually accept that I could end up in a pile of rubble,” says Manhattan publishing executive Pat Eisemann, 47, “but I can’t accept that I would be in that rubble not having lived my life to the fullest” (Kelly, 2001, p. 52). |
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Scapegoating Narrative Paradigm | Definition: Stories of a character nature where the general topic is of who or what is (or may be) to blame for any aspect or the whole of a crisis. | |||||||||||||||||||||||||||||||
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“The fact before our eyes is that a group of savage zealots took the sweet and various lives of those ordinarily traveling from place to place, ordinarily starting a day of work or—extraordinarily — coming to help and rescue others”(Caldiero).
“This is a time when many people feel a natural urge to seek revenge, but explain to your children that it is always wrong to blame an entire group for the evil actions of a few people”(Caldiero). |
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Paradox | Discover more in the post, “Figure of Speech“, and have less to lose. | |||||||||||||||||||||||||||||||
Paraenesis | Definition: Material characterized by ethical instruction and exhortation. It’s popular for preaching or exhortation. | |||||||||||||||||||||||||||||||
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Epistle of St. James
The moralizing parts of the Old Testament Found in Apostolic Fathers as Clement I and the Shepherd of Hermas. Also used by James and St. Paul in his letters to the Galatians and Ephesians Credit to: Paraenesis |
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Paraphrasis | Definition: Rewording a text or passage giving the meaning in another form, as for clearness. | |||||||||||||||||||||||||||||||
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Students will be most familiar with paraphrasing, as it is part of the lecture on plagiarism and cheating.
The opposite is metaphrase. A.k.a. paraphrase |
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Parenthesis | Definition: Insertion of an explanatory phrase that doesn’t require a connection to the subject of the sentence.
You may want to explore the post, “Parenthetical Elements“, as well. |
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“So I was telling Mary — no, don’t set that there — that she couldn’t be my bridesmaid.” | |||||||||||||||||||||||||||||||
Parathesis | Definition: A parenthetical notice, usually of matter to be afterward expanded. | |||||||||||||||||||||||||||||||
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“But what might you think, When I had seen this hot love on the wing — As I perceiv’d it (I must tell you that) Before my daughter told me — what might you, Or my dear Majesty your queen here, think . . .? ” – Shakespeare, Hamlet, 2.2.131-35 Judas saith unto him, not Iscariot, Lord how is it that thou, . . . – John 14.22. “That what his wit could conceive (and his wit can conceive as far as the limits of reason stretch) was all directed to the setting forth of his friend . . .” JG Smith, 141) Credit to: Malton |
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Parembole | Definition: Insertion of an explanatory phrase (having a closer connection with the context than a parenthesis) related to the subject into a sentence. | |||||||||||||||||||||||||||||||
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May Use Other Literary Devices including:
A.k.a. paremptosis Credit to: Burton, “Parembole” |
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“Even that privilege which they enjoy of exclusively trying their own members, in case of any accusation that may affect their life (a privilege which we might at first sight think repugnant to the idea of a regular government, and even alarming to the rest of the people), has constantly been made use of by the lords to do justice to their fellow subjects (Kendall, 412).” | ||||||||||||||||||||||||||||||||
Parecbasis | Definition: A digression that often comes following the narratio and has some bearing on the case, although it appears to be a departure from the logical order.
A.k.a. digressio, egressus, egressio, parecnasis, pareonasis, the stragler or figure of digression Burton, “Parecbasis” |
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In a suit whose issue was the Roman citizenship of an individual, Cicero provides a long discussion on the virtues of literature and their cultural value. – Cicero, Pro Archia Poeta
This both diverts attention from the issue at hand (whether Archias was indeed a Roman or whether he should be expelled) and leads effectively back to it: to the extent that Cicero prompts his hearers to value literature, they will be inclined to sympathize with someone who professes literature (and has written positively for the Roman Republic). Jonathan Swift’s A Tale of a Tub, in which he meta-rhetorically devotes an entire chapter, a digression, in praise of digressions (Section VII), thus comically combining encomium with digressio. Credit to: Burton, “Parecbasis” |
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Paromologia | Definition: Admitting a weaker point in order to make a stronger one.
A.k.a. concessio, confessio, confession, paramologia, the figure of admittance Credit to: Burton, “Paromologia” |
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Yes, I may have been a petty thief, but I am no felon.
“The poorest man in his cottage may bid defiance to all the forces of the Crown. It may be frail; its roof may shake; the wind may blow through it; the storm may enter it; but the King of England can not enter it. All his power dares not cross the threshold of that ruined tenement.” – William Pitt |
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Parrhesia | Definition: Saying something boldly and freely without leaving any doubt behind. It involves not only the freedom of speech, but also implies the use of truth in speech or writing. | |||||||||||||||||||||||||||||||
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The writers open their minds and hearts fully to the readers or audience through discourse, and a speaker makes it clear what his opinion is. | |||||||||||||||||||||||||||||||
Socrates
“The muddy streets were gay. He strode homeward, conscious of an invisible grace pervading and making light his limbs. In spite of all, he had done it. He had confessed and God had pardoned him . . . It was beautiful to live in grace a life of peace and virtue and forbearance with others . . .” – James Joyce, A Portrait of an Artist as a Young Man |
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Pathopoeia | Definition: A general term for speech that moves hearers emotionally, especially as the speaker attempts to elicit an emotional response by way of demonstrating his/her own feelings, by making reference to any of a variety of pathetic circumstances: the time, one’s gender, age, location, etc.
A.k.a. adfectus, affectus expressio, description of feelings, pathopeia |
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“O that my head were waters, and mine eyes a fountain of tears, that I might weep day and night for the slain of the daughter of my people.” – Jeremiah 9:1-2
“An author once offered a manuscript story for publication, which the publisher returned with a letter saying he would accept it if certain changes were made, which he had indicated in the margin. Every one of his marginal memoranda was, ‘Describe the feelings of the parties at this time.’ The author, in a spirit of fun, kept the manuscript by him for some time, and whenever the humor took him he put in a few ‘feelings’. When all was done, the story was accepted and paid for (Johnson, 103-107).” Something for writers to keep in mind . . . Credit to: Burton, “Pathopoeia” |
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Periergia | Definition: Overuse of words or figures of speech and the language appears over-labored.
May Use Other Literary Devices including:
Credit to: Namasivayam |
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There was a lot going on that should not have been going on — yes — going on like an endless river of stuff. Big bad brassy stuff. Like a stream of garbage flowing in my head. I tried to shut it off, but it just keeps on going. Time to schedule an appointment with my therapist to see if she can help turn off the faucet in my head — it’s like a fireplug gone wild, a jacuzzi out of control, a boiling saucepan, a teapot steeping tea too steeply. I need help damming the frothing tide of my consciousness.
Credit to: Periergia |
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Personification | Definition: The attribution of personality to an inanimate object or abstraction.
A.k.a. prosopopoeia |
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The table tripped me.
Lightning danced across the sky. The wind howled in the night. The toilet sang as its water ran. Kathy heard the ice cream calling her name. |
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Antiprosopopoeia | Definition: The opposite of personification, in which a person is compared to an inanimate object. | |||||||||||||||||||||||||||||||
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He’s a human garbage disposal.
She’s such a doormat. The man is built like a tank. The girl’s a firecracker in bed. |
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Philippic | Definition: An oration or declamation full of bitter and accusatory invective; named after the orations of Demosthenes attacking Philip of Macedon. | |||||||||||||||||||||||||||||||
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“Mini Mike Bloomberg will now FIRE Tim O’Brien, and all of the fools and truly dumb people who got him into this MESS. This has been the worst, and most embarrassing, experience of his wife . . . and now on to Sleepy Joe.” — Tweet by Donald Trump, 4 March 2020
“It’s official. The United States government government is as lawless as the malignant dictatorships we’ve hated in our foreign policy since WWII.” — Tweet by ABFalecbaldwin, HABFoundation, 12 February 2020 |
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Pleonasm | Definition: The use of unnecessary or redundant words to express an idea. | |||||||||||||||||||||||||||||||
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It’s déjà vu all over again.
It may be possible. Hear with my own ears. Cash money. I saw it with my own eyes. |
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Ploce | Definition: Repetition of a word or name, often with a different sense, after the intervention of one or more other words, including: | |||||||||||||||||||||||||||||||
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May Use Other Literary Devices including:
Credit to: Nordquist, “Ploce” |
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“In that great victory, Caesar was Caesar!”
“Make war upon themselves — brother to brother “My lovely one I fain would love thee much, but all my Love is none at all I see.” – Edward Taylor, “Preparatory Meditation 12” “I know what’s going on. I may be from Ohio, but I’m not from Ohio.” – Heather Graham as Daisy in Bowfinger “The future is no place to place your better days.” – Dave Matthews, “Cry Freedom” “If it wasn’t in Vogue, it wasn’t in vogue.” – promotional slogan for Vogue magazine |
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Polysyndeton | A definition that has been honed, and an example that follows, and can be read in the post, and is titled “Figure of Speech: Polysyndeton” | |||||||||||||||||||||||||||||||
Procatalepsis | Definition: The speaker or writer gives response to the objection of an opponent in his speech by repeating his objection, using counterargument.
Very similar to hypobole. |
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It could also be that he responds to his own objection in order to strengthen his argument by using counterarguments. Once the speakers bring attention to a possible rebuttal, they immediately refute or discredit it, for the fear that people may get confused.
It allows writers or speakers to appear honest about the reality that their arguments have problems. As an effective tactic in arguments, its benefits are twofold: the speaker replies successfully to the objection of the audience or opposing arguments, and also builds trust with his audience. Its usage is common in literary writings, advertisements, specifically in the political arena. A.k.a. prebuttal, prolepsis |
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“I can think of no one objection that will possibly be raised against this proposal, unless it should be urged that the number of people will be thereby much lessened in the kingdom. This I freely own, and it was indeed the principal design in offering it to the world.” – Jonathan Swift, “A Modest Proposal”
Swift brings an argument that no one would object against his proposal, then gives a quick argument that objection would be raised as he has stated. “I know what you’re going to say . . . ‘That if they look at it properly they’ll see that it wasn’t our fault. But will they look at it properly? Of course they won’t. You know what cats they are . . .” – Hugh Walpole, The Captives First, the speaker says that if they would look at the matter carefully, they would realize and know the truth. Then he quickly objects to his own argument and asks a question instead. Credit to: Procatalepsis |
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Prolegomenon | Definition: An introduction in the form of a formal essay or critical discussion serving to introduce and interpret a work of scholarly analysis.
The scholarly version of a prologue, which serves as an introduction to a literary work or to a speech addressed to the audience at the beginning of a play. |
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Immanuel Kant’s Kant’s Prolegomena to Any Future Metaphysics | |||||||||||||||||||||||||||||||
Pronomination | Definition: Description of a thing by its qualities, using a kind of epithet in place of the precise name.
A.k.a. antonomasia |
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Pun | Drawing a blank? End the stalemate with a click on “Word Play: Pun” instead. | |||||||||||||||||||||||||||||||
Adnomination | Definition: Repetition of a word (or root word) with a change in letters or sound or a play on words.
Used in prose and poetry as an attention-getting and comparative device, often in a sarcastic or ironic manner. Frequently used for emphatic contrast or punning. Adnomination, “Ultius” |
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If a man were to wonder if there is someone, somewhere, who would have any interest in what he is talking about.
News is what somebody, somewhere, wants to suppress; all the rest is advertising. He’s a real nowhere man / sitting in his nowhere land / making all his nowhere plans for nobody.” – Beatles, “Nowhere Man” |
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Rule: Using a morpheme in different ways, including in opposition to each other, creating opposite meanings using the same word or syllable. | ||||||||||||||||||||||||||||||||
nighttime, pastime, peacetime, meantime | ||||||||||||||||||||||||||||||||
Antanaclasis | A readable post, “Word Play: Antanaclasis“, has some immensely readable examples. | |||||||||||||||||||||||||||||||
Rhyme | Read the lead on rhyme in the feed at the post, “Word Play”. | |||||||||||||||||||||||||||||||
Schesis | Definition: The mental habitude of an adversary or opponent is feigned for the purpose of arguing against him, mocking by imitating another’s speech, or deriding an opponent’s argument by referring to his way of thought.
Credit to: Rhetorical Device |
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Hey Sean, drinko de mayo is coming up. | |||||||||||||||||||||||||||||||
Sophistry | Definition: The deliberate use of a false argument that appears to be true, using a rigorous line of reasoning with the intent to trick someone or a false or untrue argument. | |||||||||||||||||||||||||||||||
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Driving through a red light is an infraction. Ambulances drive through red lights. Therefore, ambulances commit infractions. Credit to: Alida D |
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Stasis | Definition: Used in classical rhetoric, stasis is the process of, first, identifying the central issues in a dispute, and next finding arguments by which to address those issues effectively. | |||||||||||||||||||||||||||||||
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4 Major Types of Stasis:
May Use Other Literary Devices including:
A.k.a. constitutio, issues, staseis, stasis system, stasis theory, status Credit to: Nordquist, “Stasis” |
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Was Yogi Bear responsible for the disappearance of the picnic basket? Did he grab it and snaffle the contents? Do the bylaws of Jellystone Park prohibit the theft of picnic baskets? Should the alleged theft be tried in a human court or should this thieving wild animal be summarily shot by a park ranger? – Sam Leith, Words Like Loaded Pistols: Rhetoric From Aristotle to Obama | ||||||||||||||||||||||||||||||||
Syllogism | Definition: A rhetorical device that starts an argument with a reference to something general, and from this, it draws conclusion about something more specific.
It is a deductive approach to reason and is based on deducing specific conclusions from general facts. |
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“Flavius: Have you forgot me, sir? Timon: Why dost ask that? I have forgot all men; Then, if thou grant’st thou’rt a man, I have forgot thee.” – Shakespeare, Timon of Athens, act 4, scene 3 Timon tells Flavius that he must have forgotten him like he has forgotten all other men. It can be expanded in a three-set argument as; “I usually do forget as I have forgotten everyone. Therefore, I have forgotten you as well.” Credit to: Syllogism |
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Enthymeme | Definition: An argumentative statement in which the writer or the speaker omits one of the major or minor premises — compresses it by leaving out the Major Statement, does not clearly pronounce it, or keeps this premise implied. However, the omitted premise in enthymeme remains understandable even if is not clearly expressed. | |||||||||||||||||||||||||||||||
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Its purpose is to influence the audience and allow them to make inferences. They can be easily recognized, as these statements come after because.
A.k.a. rhetoric syllogism, truncated syllogism |
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Where there is smoke, there is fire.
The hidden premise: smoke causes fire. “Senator, I served with Jack Kennedy. I knew Jack Kennedy. Jack Kennedy was a friend of mine. Senator, you’re no Jack Kennedy.” – Lloyd Bentsen to Dan Quayle in U.S. Vice-Presidential debate in 1988. The hidden premise: Jack Kennedy was a great man, but you are not. He is a US citizen, so he is entitled to due process. The hidden premise: All the citizens of US are entitled to due process. Tommy is a canine because it is a dog. A compressed syllogism, as it implies that “all dogs are canine”. |
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Syllogism Fallacy | Definition: Forms incorrect conclusions that are odd. | |||||||||||||||||||||||||||||||
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Credit to: Syllogism |
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Sorites | Definition: A string of statements where the end of one is the subject of the next.
A.k.a. chain argument, climbing argument, little-by-little argument, polysyllogism Credit to: Rhetorical Device |
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All bloodhounds are dogs. All dogs are mammals. No fish are mammals. Therefore, no fish are bloodhounds. Credit to: Nordquist, “Sorites” |
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Synaloepha | Definition: The contraction of two adjacent vowels into one syllable, as by elision.
A.k.a. synalepha |
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Don’t! I won’t! Take’t ’tis yours |
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Synchoresis | Definition: Conceding one point for the sake of another.
May Use Other Literary Devices including:
A.k.a. concessio, concession, epichoresis |
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Thou believest that there is one God; thou doest well: the devils also believe, and tremble.
Credit to: Burton, “Synchoresis” |
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Synecdoche | Pull up the article on “Figure of Speech: Synecdoche” for an in-depth look. | |||||||||||||||||||||||||||||||
Syncrisis | Definition: Emphasizes the comparison of opposites and puts into comparison to show that either of these subjects (things in comparison) are equal to one another or that one is greater or lesser than the other.
Credit to: Syncrisis |
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“Wise women uphold their house, but a foolish woman pulleth it downe” (Prov.14.1.).
“He always feels hot, I always feel cold. In the summer when it really is hot he does nothing but complain about how he feels. He is irritated if he sees me put a jumper on in the evening.” – Natalia Ginzburg, “He and I”, The Little Virtues “He speaks several languages well; I do not speak any well. He manages — in his own way — to speak even the languages that he doesn’t know.” – Natalia Ginzburg, “He and I”, The Little Virtues |
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Synoeciosis | Definition: A coupling or bringing together of contraries, but not in order to oppose them to one another (as in antithesis).
May Use Other Literary Devices including:
A.k.a. contrapositum, crosse copling, syneciosis |
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“Thus for your sake I dayly dye And do but seem to live in deede: Thus is my blisse but miserie, My lucre losse without your meede.” – George Puttenham The contraries include “dye” and “live” in the first two lines, “blisse” and “miserie” in the third line, and “lucre” [gain] and “losse” in the last line. Credit to: Burton, “Synoeciosis” |
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Tautology | Peruse in greater depth the post on “Figure of Speech: Tautology” and wade through the entry. | |||||||||||||||||||||||||||||||
Tmesis | Definition: Inserts a word in the middle of a word (usually a three-syllable word), compound word, or phrase (usually phrasal verbs). | |||||||||||||||||||||||||||||||
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“Fan-bloody-tastic” or “abso-blooming-lutely” – George Bernard Shaw, Pygmalion, Eliza Dolittle
“How-heinous-ever it be.” – Shakespeare, Richard II |
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Triticism | Definition: A trite, commonplace or hackneyed saying, expression, etc., but one that holds within the germ of an idea or concept that is on closer examination quite profound. | |||||||||||||||||||||||||||||||
Practice what you preach. |
C’mon, get it out of your system, bitch, whine, moan . . . which words are your pet peeves? Also, please note that I try to be as accurate as I can, but mistakes happen or I miss something. Email me if you find errors, so I can fix them . . . and we’ll all benefit!
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Resources for Rhetorical Devices
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“Accumulation.” Literary Devices.net. n.d. Web. n.d. <https://literarydevices.net/accumulation/>.
“Anadiplosis.” Literary Devices.net. n.d. Web. n.d.. <http://literarydevices.net/anadiplosis/>.
“Antistrophe.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/antistrophe/>.
“Apophasis.” Changing Minds. n.d. Web. n.d. <http://changingminds.org/techniques/language/figures_speech/apophasis.htm>.
“Aposiopesis.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/aposiopesis/>.
“Aposiopesis.” Rhetorical Figures. n.d. Web. 19 Feb 2023. <https://rhetfig.appspot.com/view?id=ag1zfnJoZXRmaWctaHJkchgLEhBSaGV0b3JpY2FsRmlndXJlGLHnAgw>.
“Apostrophe Examples and Worksheets.” KidsKonnect. n.d. Web. n.d.. <https://kidskonnect.com/language/apostrophe/>.
“Aposiopesis.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/aposiopesis/>.
“Aposiopesis.” LiteraryTerms.net. n.d. Web. n.d. <http://literaryterms.net/aposiopesis/>.
“Aside.” Literary Devices.net. n.d. Web. n.d. <https://literarydevices.net/aside/>.
Astralbee. Stack Exchange. 4 Sept 2020. Web. 23 Jan 2022. <https://ell.stackexchange.com/questions/259253/what-does-so-much-as-mean-in-these-three-sentences-what-grammatical-function>.
Blank, G. Kim. “Wordiness, Wordiness, Wordiness List”. University of Victoria. 2015. Web. 30 April 2018. <https://web.uvic.ca/~gkblank/wordiness.html>.
Bunting, Joe. “Why You Should Copy Other Writers.” The Write Practice. n.d. Web. n.d. <URL>.
Butler, Rex and David Denny, eds. Lars von Trier’s Women. Bloomsbury Publishing USA.
Burton, Gideon O. “Anacoenosis.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/A/anacoenosis.htm>.
⸻ “Anacoloutha.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/A/%7Eanacoloutha.htm>.
⸻ “Anapodoton.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <URL>.
⸻ “Anthimeria.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/A/anthimeria.htm>.
⸻ “Anthypophora.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/A/anthypophora.htm>.
⸻ “Antisagoge.” Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/A/antisagoge.htm>.
⸻ “Epanodos.” Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/E/epanodos.htm>.
⸻ “Epitrope.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/E/epitrope.htm>.
⸻ “Euphemismus.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/E/euphemismus.htm>.
⸻ “Hendiadys.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/H/hendiadys.htm>.
⸻ “Macrologia.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/M/macrologia.htm>.
⸻ “Metabasis.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/M/metabasis.htm>.
⸻ “Metastasis.” Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/M/metastasis.htm>.
⸻ “Parecbasis.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/P/parecbasis.htm>.
⸻ “Parembole.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d.. <http://rhetoric.byu.edu/Figures/P/parembole.htm>.
⸻ “Paromologia.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/P/paromologia.htm>.
⸻ “Pathopoeia.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/P/pathopoeia.htm>.
⸻ “Synchoresis.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. DATE. <http://rhetoric.byu.edu/Figures/S/synchoresis.htm>.
⸻ “Synoeciosis.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/S/synoeciosis.htm>.
Caldiero, Christopher T. “Crisis Storytelling: Fisher’s Narrative Paradigm and News Reporting”. American Communication Journal. Vol 9, Issue 1, Spring 2007. Web. 30 April 2018. <http://ac-journal.org/journal/2007/Spring/articles/storytelling.html>.
“Chiasmus Examples.” Grammar Examples. SoftSchools. n.d. Web. n.d. <http://www.softschools.com/examples/grammar/chiasmus_examples/138/>.
Collins Dictionary: palillogy
D, Alida. “Sophistry: Definition & Examples.” Study.com. n.d. Web. n.d. <https://study.com/academy/lesson/sophism-definition-examples.html>.
David, Imani. “Anathema Rhodes.” The New York Literary Society: 2015. <https://amzn.to/3Sa9NDb>. Ebook.
Davidson, Thomas. Chambers’s Twentieth Century Dictionary. Dictionary.net. 1908. Web. n.d. <https://www.dictionary.net/hypobole#definition-source-chambers’s-twentieth-century-dictionary-of-the-english-language>.
“Diacope.” Rhetorical Devices. Manner of Speaking. 6 June 2012. Web. n.d. <https://mannerofspeaking.org/2012/06/06/rhetorical-devices-diacope/>.
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“Diallage.” Changing Minds. n.d. Web. n.d. <http://changingminds.org/techniques/language/figures_speech/diallage.htm>.
“Dionysian imitatio.” Wikipedia.org. n.d. Web. n.d. <https://en.wikipedia.org/wiki/Dionysian_imitatio>.
“Ecphonesis.” Wikipedia.org. n.d. Web. n.d. <https://en.wikipedia.org/wiki/Ecphonesis>.
“Ecphrasis.” JAC Online. n.d. Web. n.d. <http://jaconlinejournal.com/archives/vol18.3/dangelo-rhetoric.pdf>. PDF.
Editors. “Mimesis.” Art. Encyclopædia Britannica. n.d. Web. n.d. <https://www.britannica.com/art/mimesis>.
Elliott, Michael. “”A Clear and Present Danger”.” InsidePolitics. CNN. 1 Oct 2001. Web. n.d. <http://www.cnn.com/ALLPOLITICS/time/2001/10/08/danger.html>.
“Enthymeme.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/enthymeme/>.
“Epiphonema.” Rhetorical Figures. n.d. Web. n.d. <https://rhetfig.appspot.com/view?id=ag1zfnJoZXRmaWctaHJkchgLEhBSaGV0b3JpY2FsRmlndXJlGLyOAww>.
“Epiploce.” Wiktionary. n.d. Web. n.d. <https://en.wiktionary.org/wiki/epiploce>.
“Epiploce.” Wordnik. n.d. Web. n.d. <https://www.wordnik.com/words/epiploce>.
“Epistrophe.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/epistrophe/>.
“Epizeuxis.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/epizeuxis/>.
“Erotema.” Rhetorical Devices. Manner of Speaking. 28 Mar 2012. Web. n.d. <https://mannerofspeaking.org/2012/03/28/rhetorical-devices-erotema/>.
“The Forest of Rhetoric.” Silva Rhetoricæ rhetoric@byu.edu. n.d. Web. n.d. <http://rhetoric.byu.edu>.
The Free Dictionary: aparithmesis, homeoteleuton, homoeoptoton
“Fustian.” Vocabulary.com. n.d. Web. n.d. <https://www.vocabulary.com/dictionary/fustian>.
“Glossary of Rhetorical Terms.” University of Kentucky. n.d. Web. n.d. <https://mcl.as.uky.edu/glossary-rhetorical-terms>.
“Glossary of Rhetorical Terms.” Wikipedia.com. n.d. Web. n.d. <https://en.wikipedia.org/wiki/Glossary_of_rhetorical_term>. A massive list of rhetorical terms.
Gunner, Jennifer. “Examples of Rhetorical Devices: 25 Techniques to Recognize.” YourDictionary.com. n.d. Web. n.d. <http://examples.yourdictionary.com/examples-of-rhetorical-devices.html>.
“Hendiadys.” Changing Minds. n.d. Web. n.d. <http://changingminds.org/techniques/language/figures_speech/hendiadys.htm>.
“Heterosis.” Changing Minds. n.d. Web. n.d. <http://changingminds.org/techniques/language/figures_speech/heterosis.htm>.
“Homeoteleuton.” Perseus Digital Library. Tufts University. n.d. Web. n.d. <http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.03.0096%3Apart%3DSchemates+Rhetorical%3Asubpart%3DThe+first+order%3Asection%3DFigures+of+Conjunction%3Asubsection%3DHomeoteleuton>.
“Homily.” Literary Devices.net. n.d. Web. n.d. <https://literarydevices.net/homily/>.
“Homoioptoton.” Daniel Etigson (ed). Rhetorical Figures. n.d. Web. n.d.. <https://rhetfig.appspot.com/view?id=ag1zfnJoZXRmaWctaHJkchgLEhBSaGV0b3JpY2FsRmlndXJlGPL-Agw>.
“Hyberbaton.” SoftSchools. n.d. Web. n.d. <http://softschools.com/examples/literary_terms/hyberbaton_examples/292/>.
“Hypallage.” Changing Minds. n.d. Web. n.d. <http://changingminds.org/techniques/language/figures_speech/hypallage.htm>.
“Hypotyposis.” Silva Rhetoricae (rhetoric.byu.edu). Brigham Young University. n.d. Web. n.d. <http://rhetoric.byu.edu/Figures/H/hypotyposis.htm>.
“Hysteron Proteron.” Changing Minds. n.d. Web. n.d. <http://changingminds.org/techniques/language/figures_speech/hysteron_proteron.htm>.
“An Introduction to Syncrisis.” Scheme. Figures of Speech. Ifioque. n.d. Web. n.d. <https://ifioque.com/figures-of-speech/scheme/syncrisis>.
Jamieson, Lee. “Love in Romeo and Juliet.” ThoughtCo. Updated on 2 April 2020. Web. n.d. <https://www.thoughtco.com/love-in-romeo-and-juliet-2985042>.
“Kairos.” Literary Terms.net. n.d. Web. n.d. <http://literaryterms.net/kairos/>.
Kendall, Edward Augustus. A Pocket Encyclopædia, or Library of General Knowledge. HardPress, 2018. Ebook.
“Laconic Phrase.” Wikipedia.org. n.d. Web. n.d. <https://en.wikipedia.org/wiki/Laconic_phrase>.
“Laconic Phrases.” Wikiquote.org. DATE. Web. DATE. <https://en.wikiquote.org/wiki/Laconic_phrases>.
Liles, Maryn. “What’s a Hyperbole? These 30 Examples Will Explain It Perfectly.” Parade.com. 9 Mar 2021. Web. 23 Jan 2022. <https://parade.com/1175397/marynliles/hyperbole-examples/>.
Literary Devices.com. n.d. Web. n.d. <http://literary-devices.com/>.
Malton, Joanna. “Parenthesis.” Rhetorical Figures. n.d. Web. n.d. <https://rhetfig.appspot.com/view?id=ag1zfnJoZXRmaWctaHJkchgLEhBSaGV0b3JpY2FsRmlndXJlGIP6AQw>.
⸻ “Paromologia.” Rhetorical Figures. n.d. Web. n.d. <https://rhetfig.appspot.com/view?id=ag1zfnJoZXRmaWctaHJkchgLEhBSaGV0b3JpY2FsRmlndXJlGLzqAQw>.
Marsh, George Perkins. Lectures on the English Language. HardPress: 2018. <https://amzn.to/3YANetU>.
“Mikhail Bakhtin’s Dialogic.” Bloomsbury Literary Studies. 16 Mar 2012. Web. n.d. <http://bloomsburyliterarystudies.typepad.com/continuum-literary-studie/2012/03/mikhail-bakhtins-dialogic.html>.
Mills, Michael S. Concise Handbook of Literary and Rhetorical Terms. Estep-Nichols Publishing: 2010. <https://amzn.to/3YGgf7p>. Print.
Namasivayam, Ashwini. “Periergia.” Rhetorical Figures. n.d. Web. n.d. <https://rhetfig.appspot.com/view?id=ag1zfnJoZXRmaWctaHJkchgLEhBSaGV0b3JpY2FsRmlndXJlGP7SAQw>.
“Noema.” Perseus Digital Library. Tufts University. n.d. Web. n.d. <http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.03.0096%3Apart%3DSchemates+Rhetorical%3Asubpart%3DThe+third+order%3Asection%3DCollectio%3Asubsection%3DNoema>.
“Noema: Other uses.” Wikipedia. n.d. Web. n.d. <https://en.wikipedia.org/wiki/Noema#Other_uses>.
Nordquist, Richard. “Can You Identify the 3 Branches of Rhetoric?” ThoughtCo. Updated on 22 July 2019. Web. DAn.dTE. <http://grammar.about.com/od/d/g/diatyposisterm.htm>.
⸻ “Chiasmus Figure of Speech.” ThoughtCo. Updated on 16 Feb 2019. Web. n.d. <http://grammar.about.com/od/c/g/chiasmusterm.htm>.
⸻ “Definition and Examples of Sorites in Rhetoric.” ThoughtCo. Updated on 5 March 2018. Web. n.d. <https://www.thoughtco.com/sorites-argument-1691977>.
⸻ “Effective Rhetorical Strategies of Repetition.” ThoughtCo. Updated on 20 May 2019. Web. n.d. <http://grammar.about.com/od/mo/g/Metastasis.htm>.
⸻ “Erotesis (rhetoric).” ThoughtCo. Updated on 6 March 2017. Web. n.d. <https://www.thoughtco.com/erotesis-rhetoric-term-1690673>.
⸻ “Meiosis (Rhetoric).” ThoughtCo. Updated on 7 Aug 2018. Web. n.d. <https://www.thoughtco.com/meiosis-rhetoric-term-1691375>.
⸻ “Pejorative Language.” ThoughtCo. Updated on 8 July 2019. Web. n.d. <http://grammar.about.com/od/pq/g/Paradiastole.htm>.
⸻ “Ploce: Definition and Examples.” ThoughtCo. Updated on 12 February 2020. Web. n.d. <http://grammar.about.com/od/pq/g/ploceterm.htm>.
⸻ “Stasis Theory in Rhetoric.” ThoughtCo. Updated on 14 March 2019. Web. n.d. <http://grammar.about.com/od/rs/g/stasisterm.htm>.
⸻ “Using Epanorthosis in Rhetoric.” ThoughtCo. DATE. Web. n.d. <http://grammar.about.com/od/e/g/Epanorthosis-term.htm>.
⸻ “Ways of Achieving Emphasis in Writing and in Speech.” ThoughtCo. Updated on 12 Feb 2020. Web. n.d. <http://grammar.about.com/od/e/g/emphasisterm.htm>.
⸻ “What is the Definition of Word?” ThoughtCo. Updated on 3 July 2019. Web. n.d. <http://grammar.about.com/od/e/g/epexegesisterm.htm>.
O’Connor, Ralph. “History or fiction? Truth-claims and defensive narrators in Icelandic romance-sagas.” University of Aberdeen. n.d. Web. 22 Jan 2022. <https://www.abdn.ac.uk/staffpages/uploads/his221/history-or-fiction.pdf>.
Oxford Dictionaries: metaphrase
“Parabola.” Daily Trope.com. 18 Feb 2008. Web. n.d. <https://dailytrope.com/2008/02/18/parabola/>.
“Paraenesis.” Catholic Culture, Catholic Dictionary. n.d. Web. n.d. <https://www.catholicculture.org/culture/library/dictionary/index.cfm?id=35395>.
Park, Alvin. “Examples of Ethos, Pathos and Logos.” Dictionary.com. n.d. Web. n.d. <http://examples.yourdictionary.com/examples-of-ethos-logos-and-pathos.html#Ev8CJtlOh9Sohtm3.99>.
“Periergia.” Daily Trope. 20 Oct 2022. Web. 17 Feb 2023. <https://dailytrope.com/tag/periergia/>.
“Periphrasis.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/periphrasis/>.
“Ploce (figure of speech).” Wikipedia. n.d. Web. n.d. <https://en.wikipedia.org/wiki/Ploce_(figure_of_speech)>.
“Procatalepsis.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/procatalepsis/>.
Purdue OWL. n.d. Web. n.d. <https://owl.english.purdue.edu/owl/resource/588/04/>.
Purdue OWL has an excellent post on how to make a good argument using logos along with a useful section on how to establish yourself as a credible person, i.e., using ethos. Could be handy for marketing purposes! Hmmm, it also makes a good case for hiring a proofreader . . . <https://owl.english.purdue.edu/owl/resource/588/04/>.
Quizlet. n.d. Web. n.d. <https://quizlet.com/>.
“Rhetorical Devices.” The Phrontistery. n.d. Web. n.d. <http://phrontistery.info/rhetoric.html>.
“Rhetorical Figures.” RhetFig. n.d. Web. 26 Feb 2020. <https://rhetfig.appspot.com/view?id=ag1zfnJoZXRmaWctaHJkchgLEhBSaGV0b3JpY2FsRmlndXJlGIj6AQw>.
“Seeking a Humorous Example of Long winded Paragraph One Sentence Long .” Writing. Stack Exchange. Dec 2015. Web. n.d. <https://writing.stackexchange.com/questions/19534/seeking-a-humorous-example-of-long-winded-paragraph-one-sentence-long>.
Sica, Alan. “Polite Culture: Nice-Nellyism Suffuses Sociology.” Sage Journals. 2 May 2012. Web. 23 Jan 2022. <https://journals.sagepub.com/doi/full/10.1177/0094306112443510?etoc=>.
Stack Exchange. “English Language & Usage”. Stack Exchange. 2016. Web. 30 April 2018. <https://english.stackexchange.com/questions/353654/name-of-a-particular-type-of-verbal-riposte>.
StudyLight.org. n.d. Web. n.d.
“Syllogism.” Literary Devices.net. n.d. Web. n.d. <http://literarydevices.net/syllogism/>.
Vendôme, Matthew of. Aubrey E Galyon (trans). The Art of Versification. Translated by Aubrey E. Galyon. Iowa State University Press: 1980. <https://amzn.to/3XGivdR>. Print. p 29
Walker, John. A Rhetorical Grammar: In Which Improprieties in Reading and Speaking Are Detected, and the True Sources of Elegant Pronunciation Are Pointed Out : . . . and How They May Be Applied to Di.” Quote is from the Spectator, no 310. Palala Press: 2015. <https://amzn.to/3Kk4jnt>. Print
Wessel, Susan. Cyril of Alexandria and the Nestorian Controversy: The Making of a Saint and of a Heretic (Oxford Early Christian Studies). Google Books. n.d. Web. 23 Jan 2022. <https://bit.ly/3qUHzRd>. p 204.
Wheeler, Dr K. “Epiphonema.” Zack Mellen. (ed) Carson-Newman University. n.d. Web. n.d. <https://web.cn.edu/kwheeler/tropes.html>.
Wheeler, Dr K. “Schemes and Tropes.” Carson-Newman University. n.d. Web. n.d. <https://web.cn.edu/kwheeler/documents/Schemes_n_Tropes.pdf>.
YourDictionary.com: parathesis, schesis
Pinterest Photo Credits
Martin Luther King, Jr: I Have a Dream Speech, 28 August 1963, at the Lincoln Memorial, is courtesy of the National Archives and is under the CC BY-SA 4.0 license, via Wikimedia Commons.